An ivory field is organized into a grid of small compartments, each holding a distinct floral or leaf sprig in muted tones of taupe, gray, gold, and rust. At the top and bottom the grid dissolves into a scalloped, wave-like band edged with small triangular motifs before meeting the border. The wide border presents large stylized flowers, rosettes, and scrolling vinework in slate blue, gray, ivory and touches of orange, set against a soft camel ground, framed by a narrow golden-brown outer stripe.

An unbordered field runs edge to edge with a continuous repeat of angular, faceted triangles and arrow-like shapes, arranged in vertical columns that create a flickering, folded-paper rhythm across the surface. The palette moves between deep charcoal-brown and ivory, with soft tan and beige accents breaking up the darker shapes. Each column reads as a stack of pointed forms tilting in alternating directions, giving the overall design a strong sense of movement without any framing border.

Available in custom sizes and colors
FJ Hakimian, Inc. will utilize design for inspiration purposes only

Available in custom sizes and colors.

FJ Hakimian, Inc. will utilize design for inspiration purposes only

Wool & Alpaca

#16731 (size: 16'2" x 12'1") is in stock 

#16230 (size: 6'0" x 4'7") is in stock

A warm brown field carries a repeating pattern of large scrolling spirals rendered in a twisted, rope-like beige line, each coil punctuated with small black diamonds, circles, and squares along with elongated cream lozenges. The design is enclosed by a narrow serrated dark border and an outer checkerboard band alternating cream and tan squares, framed at the very edge by a solid black line.

A plum-brown ground is scattered edge to edge with small floral bouquets set in loose diagonal rows, each cluster combining pink and cream roses, pale blue blossoms, and yellow-green sprigs of foliage. The field runs borderless to the outer edge, with no framing device separating the pattern from the perimeter. The repeat is irregular enough that individual bouquets vary slightly in composition and color emphasis, avoiding a strict mirrored symmetry.

An ivory ground field is overlaid with a fine trellis of thin diagonal lattice lines in brown and ochre, their intersections dotted with small flecks of red, blue, and gold. The wide surrounding border, also on a cream ground, is populated with a procession of individually rendered birds—perched, standing, and in profile—rendered in muted olive, brown, black, and touches of turquoise, interspersed at the corners with small floral sprays. A thin dark outline frames the trellis field, setting it off cleanly from the pictorial border.

Flat Weave Technique

A soft rose and amber ground carries a central lozenge medallion formed of overlapping acanthus leaves and a small cruciform blossom at its heart. Surrounding this, garlands of feathery foliage and rosettes loop outward in mirrored symmetry, framed by a wide border of dense floral scrollwork in cream, coral, and sage tones. The palette shifts gently across the field between warm brown and dusty pink grounds, giving the surface a faded, tapestry-like softness.

A pale straw ground carries a lattice of ochre medallions bound by ribboned bows in rust and cream, each cartouche filled with scrolling foliage and a small rosette at its center. The border alternates elongated floral cartouches of pink and green sprays against cream with narrow bands of scrolling vine on a taupe ground, framed by plain outer stripes. The overall palette stays soft throughout - gold, taupe, rose, and sage - with the field's medallions arranged in a regular diagonal grid.