An unbordered field in a saturated yellow-gold ground is overlaid with a subtle checkerboard of small squares in muted grey-green, arranged in irregular bands that shift in density across the surface. The pattern reads almost like a faded overlay rather than a bold motif, with no distinct border framing the composition, and plain warp fringe visible at both ends. A small circular woven mark appears in the upper right corner.
Mixed Pile and Flat Weave Technique
An open tan ground carries a continuous chain of interlocking loops, each ring rendered as a thick cabled band that overlaps and underlaps its neighbor in a strand-like plait. The looping motif runs the full length of the field without a distinct border, its coils rendered in soft rose, blush pink, and pale ivory tones against the warm beige surface. At the center the strands cross to form a taut, symmetrical knot where two bands twist directly over one another before continuing outward.
Field: Un-dyed Tibetan Wool/ Silk (90/10%)
Design: Hemp (100%)
Pile Technique
The field is a soft neutral grey-beige, its surface worked with a continuous meander of stepped, key-fret forms rendered in subtle tonal contrast so that the pattern only emerges under raking light. These interlocking rectilinear lines run in horizontal bands across the entire ground, evenly spaced and repeated without a distinct central medallion or corner motifs. Top and bottom, a narrow border of thin dark and light pinstripes frames the composition, the only sharply defined lines against the otherwise muted, textured expanse.
Pile Technique
Field: Tibetan wool and Alpaca (cut pile, 65/35 %).
Design: Goat hair and Tibetan wool (loop, 90/10%)
Pile Technique, two levels
The field is left entirely open, an unadorned expanse of pale sandy beige that shifts subtly in tone as light catches the surface. Faint diagonal creases and soft striations run across the ground, and a barely visible geometric line, almost a shadow, traces a diamond shape near the upper portion. There is no border, no medallion, and no color contrast beyond the tonal variation inherent in the surface itself.
An open, unbordered ground in deep brown carries a loose, asymmetrical arrangement of sprigged foliage rendered in ivory and pale gold. Slender fern-like fronds and a single flowering stem sweep diagonally across the surface, accompanied by scattered small blossoms and thin curling tendrils traced in dark outline. The composition favors negative space, with the plant forms concentrated toward the lower right and thinning toward an largely bare upper field.
Pile Technique
FJ Hakimian, Inc. will utilize design for inspiration purposes only
A pale beige ground carries a symmetrical design of slender, interlacing branch forms rendered in fine brown outline, radiating from a central vertical axis in mirrored, tree-like clusters. Small ivory dots, evoking blossoms or buds, punctuate the branch tips throughout the field. A plain narrow border in a slightly darker taupe frames the composition on all sides.
Mixed Flat Weave Technique
The steel-blue field is overrun with a dense scrolling lattice of ivory leafy vines, their tendrils curling into interlocking medallions studded with small rosettes. Two compact octofoil medallions in cream and soft coral break the rhythm along the vertical axis, echoing each other near the top and bottom of the field. A narrow guard band of matching foliate scrollwork frames the composition, with a slightly wider border of the same ivory vine pattern running along the outer edge.
