A dark brown ground crossed by fine horizontal striping supports two mirrored compositions, each built from a central column of stacked diamond medallions flanked by paired vertical bands of small geometric flowerheads in ivory, ochre, orange, and touches of blue-green. A narrow saw-tooth guard in mustard and rust encloses the field, with loose warp fringe left exposed at both ends.
An overall diamond lattice, worked alternately in mustard yellow and dusty pink, spans the deep brown ground from end to end without a distinct border. Small scattered devices in white, coral, and cream fill the interior of each lattice cell, and narrow horizontal striping in muted rose and ochre breaks the ground color at intervals near the top. Both ends finish in long, loosely twisted brown fringe.
Shown from both faces, the piece presents an ivory ground overlaid with irregular vertical striations in burgundy, rust, sage green, and pale blue, thinning out toward an open, undecorated expanse at the right. The reverse flat-woven side reads as a clean sequence of narrow stripes in coral, green, red, and blue against the same undyed ground, the pattern more evenly spaced than on the pile face. Loose warp fringes finish both ends, left uneven in length, and a strip of denser color banding runs along the left selvage.
An ivory ground carries an all-over lattice of elongated diamonds outlined in irregular, hand-drawn brown-black lines, the shapes shifting slightly in size and alignment across the field. A single horizontal band crosses the composition roughly two-thirds down, dividing the lattice into two uneven registers, with plain selvages and loose warp fringe at both ends left unadorned.
The field is composed entirely of horizontal bands in varying widths, running rust, pink, ochre, sage green, and deep brown, each streaked with irregular flecks of contrasting color that give the stripes a speckled, uneven texture. Two or three bands interrupt the striping with small scattered devices - hooked diamonds, x-marks, and simple pictographic figures worked in cream and pale rose against the darker ground. There is no distinct border; the composition runs edge to edge with loose warp fringe left plain at both ends.
Multi-colored stripes including red, light green, black and ochre.
Color: Brown, dark brown, cream
The field is covered edge to edge in an irregular checkerboard of small offset blocks, their staggered alignment giving the grid a slightly shifting, hand-drawn rhythm rather than a rigid repeat. No border frames the pattern; the checks run directly to the selvages, with plain warp fringe left loose at both ends. The pile has a soft, uneven sheared surface that catches light differently across the light and dark squares, emphasizing the play of tone over any linear design.
A field of undyed ivory pile is left almost entirely open, broken only by a thin dark outline tracing a rectangle just inside the edges. Small crossbar marks project outward at each corner, and a diagonal line angles inward from the upper corners toward the center, interrupting the otherwise plain border. The overall palette is a soft cream ground against a single charcoal line.
50% Linen, 50% Cotton
The field is left entirely open, a soft ivory-white surface animated only by the texture of its own construction, with faint striations running horizontally across its length. A narrow self-toned band frames the edge, barely distinguishable from the ground except for a subtle shift in the direction of the surface texture. The detail view reveals a close, granular interplay of pale cream and grey threads forming a faint, irregular lattice pattern across the surface.
100% Cotton
The field is worked entirely in a soft ivory tone, its pattern raised through subtle textural contrast rather than color. Rows of small diamond lattices, each centered with a four-petaled motif, repeat evenly across the surface, framed by a plain border of the same hue. The detail view shows the diamonds formed by a finer, tightly woven ground against the looser open weave of the diamond interiors, giving the design a quiet, tonal shimmer.
