An open, unadorned field in undyed ivory pile is scattered with small, irregular brown flecks and short horizontal dashes, arranged loosely across the surface rather than in a fixed grid. There is no border to speak of, the plain ground running to the edges before meeting narrow flat-woven selvages and long fringe at both ends. The overall effect is quiet and sparse, with variation in the density and tone of the ivory pile visible under raking light.
The field is left entirely open, a plain expanse of undyed ivory pile with soft variations of tone drifting toward pale tan across the surface. A faint horizontal striation crosses roughly a third of the way down, and there is no border or corner ornament, only the natural highs and lows of the pile catching light. Fringes of the same undyed tone finish the top and bottom edges.
A long runner with an open, undyed ivory ground crossed by a continuous diamond lattice drawn in thin brown lines. The design runs the full length without a separate border, the diamonds slightly irregular in size and alignment, and the ends finish in loosely knotted fringe.
An entirely open field left plain in a soft ivory tone, its surface animated only by subtle striations of warm beige and light taupe running horizontally across the pile. No border, medallion, or ornament interrupts the expanse, and the piece finishes on all sides in loose, undyed fringe.
An open field of banded brown tones, ranging from deep chocolate to lighter taupe, is crossed by a lattice of irregular diagonal lines in undyed ivory that intersect to form elongated diamonds. Along the lower edge the ground shifts abruptly to plain cream, where the same diagonal lines continue in brown, thinning as they approach the fringe. The composition reads as a deliberate contrast between the dense patterned upper field and the near-empty lower register.
An open, undyed field in warm ivory and sand tones, streaked with subtle striations, carries only a scattering of sparse brown motifs rather than an overall pattern. A stepped diamond-and-triangle band sits left of center, echoed by a small pendant diamond below and a slender totemic figure of stacked shapes to the right, while short isolated dashes and diagonal lines drift across the otherwise bare ground. Plain selvages and flatwoven fringe finish the top and bottom edges.
The field is left entirely open in a deep umber-brown, its surface animated only by subtle tonal striations running horizontally across the ground. A single narrow ivory band crosses the field roughly two-thirds down, offset just below center, interrupting the otherwise uninterrupted expanse of brown. Warp ends are finished with loosely knotted fringe at both top and bottom, left undyed against the darker ground.
The field is left entirely open, worked in horizontal bands of natural undyed tones that shift gradually from deep taupe-brown at top and bottom to a pale, near-ivory stripe across the center. There is no border, medallion, or applied ornament; the composition relies solely on the striated shading of the pile. Loosely knotted fringe finishes both ends, left in its natural undyed color.
An unadorned, borderless field is crossed by an irregular, hand-drawn lattice of thin brown diamonds over an ivory ground. Through the middle third the ground shifts to a warm tan band, itself crossed by a darker taupe stripe where the diamond lattice continues uninterrupted. Loose warp fringe is visible at both ends, with no corner medallions, guard stripes, or inscriptions apparent.
An open, warm brown field is overlaid with a loosely drawn ivory diamond lattice that runs the length of the piece, interrupted by broad horizontal bands of cream and a single vivid rust-red stripe with a thin yellow accent. Dark chocolate stripes near the top and center break the field, while the upper edge introduces a narrow band of seafoam green and orange fragments before the fringe. The composition has no border, letting the striped and latticed field run to the fringed edges.
