Soumak

Berber

An entirely open field left plain in a soft ivory tone, its surface animated only by subtle striations of warm beige and light taupe running horizontally across the pile. No border, medallion, or ornament interrupts the expanse, and the piece finishes on all sides in loose, undyed fringe.

Berber

An open field of banded brown tones, ranging from deep chocolate to lighter taupe, is crossed by a lattice of irregular diagonal lines in undyed ivory that intersect to form elongated diamonds. Along the lower edge the ground shifts abruptly to plain cream, where the same diagonal lines continue in brown, thinning as they approach the fringe. The composition reads as a deliberate contrast between the dense patterned upper field and the near-empty lower register.

Berber

An open, undyed field in warm ivory and sand tones, streaked with subtle striations, carries only a scattering of sparse brown motifs rather than an overall pattern. A stepped diamond-and-triangle band sits left of center, echoed by a small pendant diamond below and a slender totemic figure of stacked shapes to the right, while short isolated dashes and diagonal lines drift across the otherwise bare ground. Plain selvages and flatwoven fringe finish the top and bottom edges.

Berber

The field is left entirely open in a deep umber-brown, its surface animated only by subtle tonal striations running horizontally across the ground. A single narrow ivory band crosses the field roughly two-thirds down, offset just below center, interrupting the otherwise uninterrupted expanse of brown. Warp ends are finished with loosely knotted fringe at both top and bottom, left undyed against the darker ground.

Berber

The field is left entirely open, worked in horizontal bands of natural undyed tones that shift gradually from deep taupe-brown at top and bottom to a pale, near-ivory stripe across the center. There is no border, medallion, or applied ornament; the composition relies solely on the striated shading of the pile. Loosely knotted fringe finishes both ends, left in its natural undyed color.

Beni Ourain

An unadorned, borderless field is crossed by an irregular, hand-drawn lattice of thin brown diamonds over an ivory ground. Through the middle third the ground shifts to a warm tan band, itself crossed by a darker taupe stripe where the diamond lattice continues uninterrupted. Loose warp fringe is visible at both ends, with no corner medallions, guard stripes, or inscriptions apparent.

Beni Ourain

An open, warm brown field is overlaid with a loosely drawn ivory diamond lattice that runs the length of the piece, interrupted by broad horizontal bands of cream and a single vivid rust-red stripe with a thin yellow accent. Dark chocolate stripes near the top and center break the field, while the upper edge introduces a narrow band of seafoam green and orange fragments before the fringe. The composition has no border, letting the striped and latticed field run to the fringed edges.

Berber

An open, undyed ivory field is left largely unadorned save for a loose lattice of brown diamond trellis lines drawn in a slightly irregular, hand-drawn manner. The lines vary subtly in thickness and spacing, giving the geometric pattern an informal, almost freehand quality, while natural shading across the field ranges from pale cream to warmer tan tones. There is no separate border; the trellis runs to the edges, which finish in long, loosely knotted fringe at both ends.

Berber

The field is left entirely open, an unadorned expanse of undyed ivory with soft variegated tonal shifts across the surface. A single thin brown line crosses the field horizontally near its midpoint, the only interruption apart from a matching dark line at the top edge before the fringe. Both ends terminate in loosely knotted warp fringe, plain and undyed to match the ground.

Berber

An open ivory ground is crossed by an irregular lattice of brown diamond lines drawn in a loose, hand-drawn manner rather than strict geometry, with no border framing the field. Fringe runs along both the top and bottom edges, left plain and undyed to match the ground tone. The high pile catches light unevenly, giving the diamond outlines a slightly blurred, textured appearance.

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