A pale ivory field is overlaid with slender, dark curling branches that fan out from four crossing points, arranged in mirrored symmetry along both the vertical and horizontal axes. Scattered small pale dots, resembling blossoms, punctuate the spaces between the branching lines. A plain, narrow brown border frames the composition without additional ornament.

The field is covered edge to edge in vertical columns of small triangular and arrow-like motifs, each column alternating in tonal register so that the overall effect reads as a rhythmic zigzag pattern. Colors move through deep blackish-brown, medium brown, tan, and pale cream, with occasional warmer rust-toned triangles breaking the sequence. A narrow plain tan strip frames the composition on all sides, with no other distinct border ornament separating it from the field.

Signed: Ashley 

Designed by Ashley Eldred Havinden

An expansive ivory ground is left largely open, interrupted by a vertical stack of banded motifs running down the central axis: rows of tapering fringe-like spikes in rust, slate blue, and ochre alternate with narrow chevron bands and a strip of small linked circles near the base. Two small rectangular panels of the same chevron pattern sit isolated in the upper corners, echoing the central composition but detached from it. The overall palette stays soft and muted—cream, tan, faded blue, and brick—with the motifs reading almost like fragments suspended in the wide, undecorated field.

The field is filled with a repeating pattern of large stylized sunflower-like blooms and curling leaf forms, arranged in four rows of paired motifs across a plain, unadorned brown border. The palette moves through tones of cream, tan, taupe and deep chocolate brown, with small checkerboard accents set within the flower heads. A woven monogram appears in the lower right corner of the border, otherwise left plain.

A tonal field in warm ivory carries an allover scrolling arabesque worked in low relief, the vinework curling into palmettes and rosettes that culminate in a small central medallion barely distinguished from the ground. A matching scroll-and-palmette border frames the field on all sides, rendered in the same soft contrast so that pattern reads through texture and sheen rather than color change.

Mixed Swedish Flat Weave and Pile Technique
FJ Hakimian, Inc. will utilize design for inspiration purposes only

Swedish Flat Weave Technique

FJ Hakimian, Inc. will utilize design for inspiration purposes only

Swedish Flat Weave and Pile Technique
FJ Hakimian, Inc. will utilize design for inspiration purposes only

Fine Swedish Pile and Flat Weave Technique