An unbordered, open field in a pale ivory ground scattered with irregular horizontal bands of small rectangular and square marks in rust, terracotta, dusty pink, sage green, and brown. The density of these marks increases toward the lower portion, thickening into a mottled, almost speckled cluster near the bottom edge, while the upper field remains sparser with looser rows of color. No central medallion or corner devices are visible; the composition reads as a freehand, all-over scatter rather than a symmetrical design.

Rehamna Tribe, the Plains of Marrakech, Morocco

An open, undyed cream ground is crossed by a continuous lattice of brown-black diamonds, drawn in a loose, hand-drawn line that wavers slightly from row to row. The composition runs edge to edge with no border, letting the diamonds run off the sides, and the piece finishes in flat plain-woven bands at top and bottom with loosely knotted fringe below.

An ivory ground carries a sparse, freehand drawing in warm brown line: a row of triangular peaks along the top gives way to a diamond lattice that loosens into long, irregular vertical lines running the length of the field, echoed by a second band of small triangles near the bottom. A few tiny isolated motifs sit low in the field, unevenly spaced, with plain undyed selvages and warp fringe left bare at both ends.

An ivory ground carries an all-over lattice of dark brown diamonds across the upper field, giving way lower down to a series of horizontal registers filled with small dashes, dots, and hooked diamond forms. A narrow band near the base holds a row of open diamond medallions above a zigzag line, framed simply by the plain selvedges and flat woven fringe at both ends.

An ivory ground is organized into horizontal registers separated by thin brown bands, each filled with small figural and geometric motifs worked in dark brown against the pale surface. Repeated stick figures, diamonds, chevrons, small vessel-like shapes, checkerboard blocks, and rows of X's and hooks appear in loose, hand-drawn rhythm across the bands, with occasional flecks of red and blue thread breaking the otherwise neutral palette.

An open ivory field is overlaid with a loose grid of dark charcoal lines, most running vertically with a few irregular horizontal crossbars. The leftmost line breaks into a zigzagging, tooth-like pattern rather than staying straight, giving that edge a more animated rhythm than the rest of the composition. The rug has no separate border, letting the grid run to the edges, and it finishes in plain undyed fringe at top and bottom.

An open ivory field is overlaid with a loosely drawn diamond lattice rendered in thin, slightly irregular brown and grey lines, the trellis loosening in places into freehand wandering strokes. Narrow flat-woven bands in brown and cream close the top and bottom, with warp fringe left exposed at each end. The plain, unadorned sides read as a deliberately spare frame around the linear field.

An open ivory field is overlaid with a continuous lattice of thin, irregularly drawn brown-gray diamonds running the full length of the piece. A narrow plain border in the same brown-gray tone frames the field, with loose warp fringe left visible at both ends. The high, uneven pile catches light unevenly, giving the diamond lines a slightly wavering, hand-drawn quality rather than a rigid geometry.

The field is organized in horizontal bands alternating plain ivory stripes with dark brown-black registers filled with small diamond and X-shaped lattice patterns in rust, blue-gray, and cream. No separate border frames the composition; the striped structure runs the full length, ending in loose warp fringe at both ends.