Color: Denim/Beige
A close, raking view of the surface shows fine horizontal ribbing in alternating bands of deep denim blue and pale beige, the tones shifting subtly where the material catches the light. The field is left entirely plain, without pattern or border, allowing the striated texture itself to carry the visual interest. At the lower edge the ground gives way to a loose fringe of undyed threads hanging free.
Color: Chalk/Beige
The surface is left entirely open, a plain gauzy ground gathered into soft folds that catch the light along diagonal ribs of the weave. A fine warp-and-weft striping runs across the cloth in subtle tonal shifts, and one edge finishes in a loose fringe of unknotted threads.
Color: Beige/Beige - Ribbed Pattern
The surface is divided into broad horizontal bands, alternating a lighter, tightly ridged texture with a warmer, more saturated band whose fine vertical striations catch the light differently. A soft fold falls diagonally across the piece, revealing the same banding continuing beneath. Loose fringe gathers along the lower edge where the bands terminate.
Color: Fawn/Beige
A finely ridged, open-weave surface catches light along its folds, the fine ribbing running in parallel lines across the whole expanse. Draped and rumpled, the fabric forms soft peaks and valleys that alternate between shadowed hollows and pale, luminous crests. Along one edge a narrow scalloped border of tiny loops finishes the ground where it meets a plain white surface below.
Color: Fawn/Rust
The field is left entirely open, a plain expanse of finely striated ground catching light in soft variations of tone across its surface. Both ends terminate in a narrow flat band before dissolving into loose, unknotted fringe that hangs irregularly, some strands twisting together and others falling straight. No pattern, border, or inscription interrupts the uniform, unadorned surface.
Color: Chalk/ Rust
The surface is an open, plain-woven ground where thin rust-toned threads cross a pale chalk warp, forming a loose grid that catches light differently along each fold. Along the lower edge the rust threads break free of the weave altogether, hanging as a long, uneven fringe of individual strands against the plain ground. The fabric is gathered into soft diagonal creases, so the density of the rust lines appears to shift from tight and close to widely spaced across the field.
Sheer fabric & curtain.
90% cotton 10% linen. Handwoven.
A charcoal-grey ground, flat and finely ribbed, is left almost entirely open, carrying a single motif set toward the left: a large ivory disc shading into speckled tan at its lower edge, from which a long tapering tail curves and sweeps rightward across the field before thinning to a point. The disc and tail sit in a raised, textured pile against the smoother woven ground, giving the impression of a comet or a circling form suspended in dark space. No border, inscription, or secondary pattern interrupts the composition.
The field is divided into four quadrants of black, pale grey, and blue-grey, each interrupted by a large curved form: a soft blue circle rises from the black upper quadrant, and a red half-disc emerges from the lower field along the central seam. The quadrant divisions are stark and rectilinear against the rounded, overlapping shapes of the circles, creating a quiet asymmetry across the composition. Surface striations run horizontally within the grey and blue-grey panels, giving subtle variation to otherwise flat color fields.
