Wool

Savann

Colors: Green, Gray, Brown, Blue Gray

The field is composed of tight horizontal striations running the full width, alternating between warm tan and softer beige tones with occasional flecks of cream breaking the rhythm. There is no border or medallion to speak of, only the plain repetition of the stripe pattern from edge to edge. A detail inset at the lower right reveals the close texture of the surface, showing individual ridges twisted together in muted ochre, ivory, and faint rose hues.

Clam

Swedish Flat Weave Technique

The pale ivory ground is organized into horizontal bands, each carrying a continuous wave-form line that swells into lens-shaped medallions filled with fine striated hatching in taupe and soft brown. Slender pinstripes in rust, grey and muted plum separate the rows, giving the surface a steady, ribbon-like rhythm from top to bottom. The palette stays close throughout - cream, warm grey and brown - with small dark accents marking the center of each medallion.

Blossom

The field is composed of horizontal bands in varying widths, alternating between undyed ivory grounds and stripes of soft blue, dusty rose, mauve, taupe, and deep navy. A pale blue border runs down each long side, framing the striped composition, while the short ends finish in loose warp fringe. The rhythm is irregular rather than symmetrical, with certain darker navy and rose bands set at uneven intervals across the length.

Swedish Flat Weave

Initialed: SCE

A saturated mustard-gold field is divided into three horizontal panels, each scattered with large stepped medallions in coral pink, lavender, slate blue, cream, olive green and dusty rose, arranged in offset rows. Thin striped bands of grey, ochre and multicolored flat-woven lines separate the panels, echoing the medallion palette in narrower proportions. The whole composition is framed by a plain soft sage-green border with a slim inner guard of black-and-white checkering along the top and bottom edges.

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