The field is organized as a diamond lattice in rust and slate blue, each compartment enclosing a small floral rosette on an ivory ground, with larger ivory diamonds at regular intervals holding fuller bouquets of pink, cream, and rust blossoms. A narrow gold and cream banded border frames the composition without additional figuration. The palette throughout stays within rust, gold, slate blue, and ivory.

A deep green field is scattered with a repeating diaper of small gold four-petaled florets and stylized palmette forms, densely arranged over the entire ground. At center, a laurel-wreathed rosette in cream and gold anchors a symmetrical composition of four oval medallions containing pale grisaille urn-and-scroll motifs flanked by delicate swags of laurel leaves. A narrow guard border of alternating gold and mauve leaf forms frames the whole on a matching green ground.

A deep crimson ground is scattered with a regular grid of gold fleur-de-lis, each rendered in a soft ochre tone that contrasts crisply against the saturated red. A narrow meander, or running key, border in matching gold outlines all four edges, echoing the geometry of the interior pattern. The field appears to be pieced from several vertical panels, faintly visible where the ground color shifts slightly in tone.

A dense bouquet of full-blown roses, peonies, and small blue and lavender blossoms fills the deep green field, rendered with soft pink, cream, gold, and sage-green shading. The wide outer border repeats the same floral garland on a matching green ground, separated from the field by a narrow ivory band patterned with a compact geometric key motif. The overall composition reads almost like an embroidered garden panel rather than a conventional medallion carpet.

A sage-green ground encloses three pink-toned compartments, each framed and filled with a scrolling acanthus motif in ochre, ivory, and green, the central panel distinguished by a rosette medallion in pale blue and gold. The border is a continuous ribbon-twist of pink, blue, and cream interspersed with yellow four-petaled flowers at the corners and midpoints. The three-panel format reads almost like a triptych, each compartment a variation on the same foliate theme rather than an exact repeat.

The deep black ground is divided by a sage-green grid into fifteen compartments, each holding a distinct floral bouquet worked in reds, yellows, pinks, lavenders and greens, with tulips, roses, daffodils and mixed sprays varying from cell to cell. A wide green border encloses the field, filled with a continuous garland of similar flowers and trailing foliage that echoes the palette of the interior bouquets. No two of the fifteen floral groupings repeat exactly, giving the overall grid a handmade, sampler-like irregularity.

A deep black ground carries scattered rose bouquets arranged in loose rows, each cluster combining full-blown pink and pale mauve blooms with sage-green and mustard foliage and slender curling stems. The border repeats the same rose motif at regular intervals against the same black ground, separated from the field by a thin golden-tan line. The composition is symmetrical top to bottom and side to side, with buds and single leaves filling the spaces between the larger bouquets.

The pale grey-blue field is scattered with a regular grid of small rose sprigs in coral pink and soft yellow, each accented with green leaves. A wide border of larger rose bouquets, arranged in loose diagonal clusters, runs along all four sides, framed by a slender twisted rope-like guard stripe in cream and tan.