An open ivory field is overlaid with a continuous grid of soft grey-brown diamonds formed by intersecting lattice lines, their texture slightly raised and irregular against the smoother ground. No border frames the composition, letting the trellis pattern run to the edges, and a plain unadorned fringe finishes the lower end.
The field is arranged in horizontal bands of ivory ground alternating with solid dark brown stripes, each band filled with rows of small chevrons, diamonds, and V-shaped motifs in rust orange, gray, and black. Diamond-lattice registers of varying scale break the rhythm partway down, giving the composition a layered, striped effect rather than a single bordered field. Loose warp fringe is visible at the lower edge, and the palette throughout stays within ivory, gray, rust, and near-black tones.
The field is divided into nine vertical panels by narrow dark bands, each panel filled with a different small-scale diamond or checkerboard lattice worked in brown against an undyed ivory ground. There is no distinct border, the patterned panels running to the flat woven edges, which are finished with plain warp fringe at both ends. A single stray brown mark floats above the second panel from the left, breaking the otherwise strict repetition of the grid.
The field is left entirely open, a deep shag surface in undyed cream and pale gold with soft variegated tonal shifts across the pile. A narrow band of small dark brown rectangular marks runs along the top edge, the only patterned element, while long fringe finishes the top and bottom and a dark selvage edges the sides.
The field is a deep brown ground crossed by dozens of narrow horizontal bands worked in white, cream, green, and touches of pink and red, each employing a different pattern - solid lines, small chevrons, dashes, or rows of tiny x-motifs. There is no separate border; the striping runs uninterrupted to a plain warp fringe at both ends, and the lines drift slightly out of parallel toward the lower portion of the piece.
An open, undyed ivory field crossed by a series of narrow horizontal bands in charcoal-grey, spaced at irregular intervals from top to bottom. The bands vary slightly in width and doubling, some appearing as single lines and others as paired stripes, giving a subtle rhythm across the otherwise plain ground. A loose fringe of undyed warp ends finishes the upper edge.
An open ivory field is left largely bare, scattered with loosely drawn figures rendered in olive-green outline: elongated stick figures, tower-like columnar forms, small house shapes, and a central band of open diamond and lozenge outlines faintly tinted with pale green. Jagged, lightning-bolt lines in the same dark outline run vertically along both sides of the field, framing the composition rather than forming a conventional border. A narrow flatwoven strip in coral red closes the top and bottom edges before the fringe.
An ivory field is overlaid with an irregular brown lattice of diamond shapes, rendered in a loose, hand-drawn line that varies slightly in width and spacing across the length. A narrow border at one end carries a row of stepped, comb-like brown motifs against the same undyed ground, while the opposite end is left plain and fringed.
The ground is built from horizontal bands alternating ivory and deep brown, crossed by five vertical columns of stacked motifs in brown, ivory, and touches of coral pink. Each column carries a sequence of small figural and geometric forms - rounded pot-like shapes, diamond lattices, and rows of chevrons - rendered slightly differently column to column, giving an irregular rather than mirrored symmetry.
The field is organized in continuous horizontal bands alternating deep brown and ivory, each stripe carrying its own small repeating motif: rows of scalloped half-moons, chevron zigzags, tiny diamond lattices, and clusters of mustard-yellow dots. There is no distinct border, the striped composition running edge to edge and terminating in a plain warp fringe at both ends. The palette stays close throughout - brown, unbleached cream, and a single warm yellow accent - giving the whole surface a steady, banded rhythm.
