Swedish Pile
Initialed: IHK (Ingrid Hellman-Knafve)
The field is a solid expanse of deep blue, its surface catching light unevenly so that the tone shifts from teal to near-navy across the surface. Slender floral-and-stem motifs, worked in a subtly darker blue, march along the top and bottom borders and rise partway up the two side edges, tapering off before reaching the upper corners. The overall composition reads as an open, largely unadorned centre framed by this restrained tonal patterning.
