An ivory field carries a repeating column of large lobed palmettes alternating with diamond medallions, each palmette flanked by pairs of curling leaf forms in ochre and taupe. Sprays of small florets and feathery vine tendrils in sage green and pale blue fill the ground between motifs. The main border is a lattice of pointed diamonds in gray-brown and gold, framed by narrower guard stripes of small blossoms on a cream stripe.
A pale sage-green field is filled with a symmetrical arrangement of large palmettes, serrated leaves, and vinework rendered in soft ivory, rust, and taupe tones, organized along a central vertical axis. The ivory border repeats the same palmette-and-leaf vocabulary at a larger scale, framed by a narrow guard stripe of angular latch-hook forms in rust and cream. The overall palette stays muted throughout, with no sharp color contrasts breaking the field.
An ivory field carries an all-over lattice of scrolling vinework interspersed with palmettes, lanceolate leaves, and small blossoms rendered in rust, gold, sage green, and touches of slate blue. Anchoring the composition are three stacked, fan-shaped palmette clusters running down the vertical axis, echoed by scattered serrated leaf forms throughout. The main border, a narrow rust band filled with small repeating floral sprigs, is flanked by wider ivory guard stripes patterned with alternating rosettes and elongated botanical devices in the same restrained palette.
Iraka Fiber
A circular format built from interlocking curved petal shapes, each segment rendered as an overlapping arc that spirals toward a small central rosette. The palette moves through soft ivory, warm tan, and pale taupe, with thin dark outlines tracing every curved edge to separate one segment from the next. Directional striations within each shape catch the light differently depending on the angle of the surface, giving the whole composition a subtle pinwheel motion.
A banded field of flatwoven brown stripes in varying tonal shades, interrupted by narrow horizontal bands of undyed ivory. No border frames the composition; the striping runs edge to edge, uninterrupted, with the ivory bands set at irregular intervals across the ground. A detail inset shows the structure of the weave, contrasting the twisted ivory band with the plainer brown ground.
Content: Polypropylene
A close detail view presented in a circular crop, showing a horizontally banded surface alternating between deep charcoal and lighter dove-gray tones. The bands vary in width, some tightly ribbed and others smoother, giving the overall effect of a soft tonal gradient across the round. An inset magnification in the lower right reveals the individual looped strands that build up this striped texture.
Content: Polypropylene
A circular sample displaying a continuous field of narrow, alternating stripes in charcoal grey and undyed ivory, running horizontally across the surface with no distinct border framing them. The stripes are irregular in width, giving a subtly hand-drawn rhythm rather than a mechanical repeat. A detail inset at lower right reveals the close, knotted texture of the surface, where the grey and ivory strands interlock in small looped clusters.
Content: Polypropylene
The surface presents a plain, open weave in undyed, ivory-white tones, with a faint charcoal-grey thread running through at intervals to create subtle horizontal banding. A detail inset at lower right reveals the individual strands more closely, showing the regular over-under structure and slight irregularities in thickness along each row. The rounded sample is finished with a narrow grey overlocked edge, and a small tag or label is just visible at the lower left.
Content: Polypropylene
A circular field is worked in a repeating basketweave pattern of thick, twisted tufts, each knot forming a raised diamond-like nub across the surface. The palette moves through soft taupe, grey, and undyed cream, with faint threads of pale blue appearing intermittently between the rows. The outer edge is finished with a plain overcast binding in a matching neutral tone, and the detail inset shows the individual strands twisting together in varied, mottled shades within a single tuft.
A long, narrow runner set on a mustard-gold ground, the field organized as a vertical chain of alternating diamond and octagonal medallions rendered in brick red, navy, and ivory with touches of teal. Each medallion is filled with angular botanical devices, and small stylized birds and hooked motifs fill the surrounding field. The border combines a red vine-and-leaf stripe with narrower ivory and dark guard bands, and the detail inset shows the close pile texture in rose, teal, and camel tones.
