An open ivory field, left almost entirely bare, is interrupted by a scattering of small brown vertical marks near the upper edge and three longer, thicker brown bands rising from the lower border. The composition is markedly asymmetrical, with no repeating pattern or enclosing border to frame the field. Loose, undyed fringe finishes both ends.
The field is left entirely open, an undyed cream ground with a soft, cloud-like variation of tone running from ivory to pale tan across the surface. Two small brown squares sit asymmetrically off-center, one slightly higher and to the left, the other lower and to the right, the only applied color on the piece. Both ends finish in long, loosely twisted fringe left in the natural undyed shade.
An expanse of undyed ivory pile left largely open, with scattered small brown diamond and dash motifs concentrated toward the lower third and thinning out as they rise, echoed by a few isolated diamonds set higher in the field. Both ends finish in long, loosely twisted ivory-toned fringe, with no border framing the composition.
An open, undecorated ivory field dominates the piece, its plush surface catching light unevenly across the pile. A single row of small dark brown marks interrupts the emptiness near the upper third: four thin vertical dashes flanking a solid square, spaced irregularly rather than symmetrically. Warp fringes finished in twisted, knotted cords edge the top and bottom.
An almost entirely open field in undyed ivory pile, its surface left plain apart from three thin, irregularly drawn brown lines running horizontally across the lower third. There is no border to speak of, the field running edge to edge and terminating in loose warp fringe at top and bottom. The wavering, hand-drawn quality of the lines is the only interruption to an otherwise blank expanse.
An open ivory field is dominated by a single large diamond outlined in a fine zigzag line of soft brown, its four points reaching to the centers of each border edge. The plain ground shows subtle tonal variation from cream to pale gold, with no additional motifs beyond the diamond outline, and the piece finishes in loosely knotted fringe at top and bottom.
The field is divided into two horizontal registers: an expansive plain ivory-gold ground occupying the upper two-thirds, giving way below to a dense band of irregular striations in charcoal, brown and cream that resemble ripples or bark texture. There is no border, and the transition between the open field and the striped lower section is uneven rather than a straight line. Warp ends are finished with long, loosely twisted ivory and brown fringe at both top and bottom.
An essentially open field in undyed ivory pile, its surface mottled with soft tonal variations that catch the light unevenly. A single thin brown line runs horizontally across the lower third, the sole interruption to the plain expanse, bordered top and bottom by a narrow flat selvage and a loose knotted fringe.
An undyed ivory ground is left largely open, crossed top to bottom by loosely drawn vertical lines in a soft brown. A single horizontal band interrupts the field, filled with small scattered glyph-like figures — hooked forms, diamonds, triangles, and simple stick figures — rendered in the same brown outline. The side borders carry a run of small checkered blocks, while the top and bottom edges finish in loose, undyed fringe.
FJ Hakimian, Inc. will utilize design for inspiration purposes only
