An open, undyed ivory field is left largely unadorned save for a loose lattice of brown diamond trellis lines drawn in a slightly irregular, hand-drawn manner. The lines vary subtly in thickness and spacing, giving the geometric pattern an informal, almost freehand quality, while natural shading across the field ranges from pale cream to warmer tan tones. There is no separate border; the trellis runs to the edges, which finish in long, loosely knotted fringe at both ends.
The field is left entirely open, an unadorned expanse of undyed ivory with soft variegated tonal shifts across the surface. A single thin brown line crosses the field horizontally near its midpoint, the only interruption apart from a matching dark line at the top edge before the fringe. Both ends terminate in loosely knotted warp fringe, plain and undyed to match the ground.
An open ivory ground is crossed by an irregular lattice of brown diamond lines drawn in a loose, hand-drawn manner rather than strict geometry, with no border framing the field. Fringe runs along both the top and bottom edges, left plain and undyed to match the ground tone. The high pile catches light unevenly, giving the diamond outlines a slightly blurred, textured appearance.
An open ivory ground is crossed by an irregular grid of thin brown lines, the verticals wavering and unevenly spaced while the horizontals run in loose, uneven bands. Toward the lower portion the vertical lines multiply and cluster more densely, breaking the grid's rhythm, while the top third remains sparsely divided. No border frames the field, and the composition ends in long undyed warp fringe at both ends.
A plain, tightly woven ground in a mottled dark brown and cream mix runs the length of the piece, broken by a single checkerboard band across the lower third where light and dark squares alternate in an uneven grid. Narrow decorative strips near the top and bottom edges carry a fine zigzag pattern in the same subdued palette. Long warp fringe, loosely combed and uneven in length, finishes all four sides.
The field is left entirely open in an undyed cream tone, broken only by a single thin brown line running horizontally across the upper third. Subtle vertical striations in the pile catch the light, giving faint tonal variation without any additional pattern or border. Fringe in a darker brown appears at both ends, framing the plain expanse.
The field is an ivory ground overlaid with an irregular lattice of tan-brown lines forming an all-over cellular, honeycomb-like pattern of uneven rectangular and diamond compartments. The grid tightens near the top edge into small pointed arches before opening into looser, larger cells toward the lower field. No border framework separates field from edge; loose warp ends form a fringe along both the top and bottom.
An open, undecorated field of thick ivory pile is interrupted only by three narrow, irregular brown bands running horizontally across the upper third, their edges uneven rather than straight. The remainder of the ground is left plain, with soft variations in tone catching the light across the deep pile. Fringes of the warp ends are visible at both the top and bottom edges.
An undecorated ivory field is crossed by a lattice of thin, irregular brown diamond lines that run corner to corner, interrupted by a single broad horizontal band of solid brown across the middle third. There is no separate border, the design running to the edges, and the piece finishes with a plain warp fringe at top and bottom.
A pale ivory ground carries a thin, irregular blue lattice that shifts register across the field: a zigzag diamond band at the top, a run of vertical stripes and lozenges through the middle, and an uneven grid of squares and rectangles filling the lower portion. There is no distinct border, the linework simply meeting the outer edges, and the drawing has a loose, hand-drawn quality with lines that waver and misalign slightly at their junctions.
