An open ivory ground is crossed by an irregular grid of thin brown lines, the verticals wavering and unevenly spaced while the horizontals run in loose, uneven bands. Toward the lower portion the vertical lines multiply and cluster more densely, breaking the grid's rhythm, while the top third remains sparsely divided. No border frames the field, and the composition ends in long undyed warp fringe at both ends.
A plain, tightly woven ground in a mottled dark brown and cream mix runs the length of the piece, broken by a single checkerboard band across the lower third where light and dark squares alternate in an uneven grid. Narrow decorative strips near the top and bottom edges carry a fine zigzag pattern in the same subdued palette. Long warp fringe, loosely combed and uneven in length, finishes all four sides.
The field is left entirely open in an undyed cream tone, broken only by a single thin brown line running horizontally across the upper third. Subtle vertical striations in the pile catch the light, giving faint tonal variation without any additional pattern or border. Fringe in a darker brown appears at both ends, framing the plain expanse.
The field is an ivory ground overlaid with an irregular lattice of tan-brown lines forming an all-over cellular, honeycomb-like pattern of uneven rectangular and diamond compartments. The grid tightens near the top edge into small pointed arches before opening into looser, larger cells toward the lower field. No border framework separates field from edge; loose warp ends form a fringe along both the top and bottom.
An open, undecorated field of thick ivory pile is interrupted only by three narrow, irregular brown bands running horizontally across the upper third, their edges uneven rather than straight. The remainder of the ground is left plain, with soft variations in tone catching the light across the deep pile. Fringes of the warp ends are visible at both the top and bottom edges.
An undecorated ivory field is crossed by a lattice of thin, irregular brown diamond lines that run corner to corner, interrupted by a single broad horizontal band of solid brown across the middle third. There is no separate border, the design running to the edges, and the piece finishes with a plain warp fringe at top and bottom.
A pale ivory ground carries a thin, irregular blue lattice that shifts register across the field: a zigzag diamond band at the top, a run of vertical stripes and lozenges through the middle, and an uneven grid of squares and rectangles filling the lower portion. There is no distinct border, the linework simply meeting the outer edges, and the drawing has a loose, hand-drawn quality with lines that waver and misalign slightly at their junctions.
An open ivory ground is divided by a single horizontal line into two unequal fields, sparsely marked with brown line motifs: short vertical strokes and slender ladder-like columns in the lower section. The left and right borders differ from one another, one composed of stacked diamond lattices with two solid brown lozenges near the top, the other formed of interlocking diamonds that resolve into a solid triangular point near the base. A muted grey-brown band crosses the lower field just above the fringe, and loose warp ends are left knotted along the bottom edge.
An open, undecorated field in a natural warm taupe surrounds a single ivory frame set well inward from the edges, with no additional motifs breaking the surface. The heavy, uneven pile shows subtle striations of tone across the ground, and loose warp fringe remains at both ends.
The field is left entirely open, a deep shag of mottled brown and grey pile shading subtly from lighter tan tones at the edges to a richer chocolate hue at center, with faint vertical striations running the length of the field. A plain undyed cream border frames the field on all sides, and loose ivory fringe finishes both ends.
