The field is left entirely open in a deep umber-brown, its surface animated only by subtle tonal striations running horizontally across the ground. A single narrow ivory band crosses the field roughly two-thirds down, offset just below center, interrupting the otherwise uninterrupted expanse of brown. Warp ends are finished with loosely knotted fringe at both top and bottom, left undyed against the darker ground.
The field is left entirely open, worked in horizontal bands of natural undyed tones that shift gradually from deep taupe-brown at top and bottom to a pale, near-ivory stripe across the center. There is no border, medallion, or applied ornament; the composition relies solely on the striated shading of the pile. Loosely knotted fringe finishes both ends, left in its natural undyed color.
An unadorned, borderless field is crossed by an irregular, hand-drawn lattice of thin brown diamonds over an ivory ground. Through the middle third the ground shifts to a warm tan band, itself crossed by a darker taupe stripe where the diamond lattice continues uninterrupted. Loose warp fringe is visible at both ends, with no corner medallions, guard stripes, or inscriptions apparent.
An open, warm brown field is overlaid with a loosely drawn ivory diamond lattice that runs the length of the piece, interrupted by broad horizontal bands of cream and a single vivid rust-red stripe with a thin yellow accent. Dark chocolate stripes near the top and center break the field, while the upper edge introduces a narrow band of seafoam green and orange fragments before the fringe. The composition has no border, letting the striped and latticed field run to the fringed edges.
An open, undyed ivory field is left largely unadorned save for a loose lattice of brown diamond trellis lines drawn in a slightly irregular, hand-drawn manner. The lines vary subtly in thickness and spacing, giving the geometric pattern an informal, almost freehand quality, while natural shading across the field ranges from pale cream to warmer tan tones. There is no separate border; the trellis runs to the edges, which finish in long, loosely knotted fringe at both ends.
The field is left entirely open, an unadorned expanse of undyed ivory with soft variegated tonal shifts across the surface. A single thin brown line crosses the field horizontally near its midpoint, the only interruption apart from a matching dark line at the top edge before the fringe. Both ends terminate in loosely knotted warp fringe, plain and undyed to match the ground.
An open ivory ground is crossed by an irregular lattice of brown diamond lines drawn in a loose, hand-drawn manner rather than strict geometry, with no border framing the field. Fringe runs along both the top and bottom edges, left plain and undyed to match the ground tone. The high pile catches light unevenly, giving the diamond outlines a slightly blurred, textured appearance.
An open ivory ground is crossed by an irregular grid of thin brown lines, the verticals wavering and unevenly spaced while the horizontals run in loose, uneven bands. Toward the lower portion the vertical lines multiply and cluster more densely, breaking the grid's rhythm, while the top third remains sparsely divided. No border frames the field, and the composition ends in long undyed warp fringe at both ends.
A plain, tightly woven ground in a mottled dark brown and cream mix runs the length of the piece, broken by a single checkerboard band across the lower third where light and dark squares alternate in an uneven grid. Narrow decorative strips near the top and bottom edges carry a fine zigzag pattern in the same subdued palette. Long warp fringe, loosely combed and uneven in length, finishes all four sides.
The field is left entirely open in an undyed cream tone, broken only by a single thin brown line running horizontally across the upper third. Subtle vertical striations in the pile catch the light, giving faint tonal variation without any additional pattern or border. Fringe in a darker brown appears at both ends, framing the plain expanse.
