An open ivory ground is divided into horizontal bands by narrow flat-woven strips patterned with small brown diamonds. Each band carries a zigzag chevron line in orange, with occasional accents of yellow, red, green, and blue, the peaks and troughs shifting slightly from row to row. The lowest register, just above the fringe, breaks from the zigzag motif with a row of small stylized figures in orange, green, and black.
A long narrow runner organized in horizontal registers against a deep brown-black ground, alternating bands of bold cross and X-shaped motifs with narrower strips of small diamonds and lozenge lattices. The palette stays within warm rust, ochre, and cream tones set off by the dark field, with the geometric bands repeating in a steady rhythm from end to end. Both edges finish in loose warp fringe.
An open ivory field is left largely bare, crossed at intervals by narrow horizontal bands of small-scale motifs: rows of diamond and lozenge shapes alternating in navy blue and rust red, thin zigzag stripes in dark brown, and a scattering of tiny triangular and diamond forms near the top and bottom edges. The composition reads as a sequence of quiet registers rather than a bordered field, with plain warp fringe finishing both ends.
The field is organized entirely in horizontal bands, alternating a fine speckled gray-and-cream texture with narrower stripes of tan and cream marked by small dashed accents. There is no border framing the composition; the striped pattern runs edge to edge, terminating in loose warp fringe at both ends. Colors stay within a muted palette of gray, ivory, and warm tan throughout.
The field is composed entirely of horizontal bands, no border framing them off from the field. Broad stripes of taupe and warm brown alternate with narrow bands of dark charcoal, the widths uneven and hand-drawn rather than mechanically regular. A fringe of loose warp ends finishes the lower edge, with a narrow dark stripe running just above it.
The field is arranged in horizontal bands of varying width, each carrying its own small-scale motif: rows of stacked diamonds, chevrons, dotted lattices, and zigzags in orange, mustard, ivory and charcoal against pale grey grounds. Flanking this banded field are wide side panels of dense, irregular flame-like striping in rust, black and cream that read almost as a separate pattern from the center. The rug finishes with plain grey end bands and loose warp fringe, one corner showing a twisted, tasseled cord left hanging free.
The field is composed entirely of horizontal bands running the full width of the piece, alternating between broad stripes of ochre, seafoam green, and deep brown, each interrupted by narrower registers of small-scale pattern in pink, cream, and lavender. Motifs include elongated lozenges, chevrons, zigzags, and rows of tiny diamonds worked in fine polychrome detail against the plain colored grounds. Both ends finish in loosely knotted fringe, with no separate border framing the composition, the stripe sequence itself carrying the design to the edges.
An open ivory field, textured with a fine allover striped weave, is left plain aside from two narrow bands near each end. Each end carries a thin line of small red dashes followed by a wider red and dark brown geometric border of repeating diamond forms before the field resumes; fringe finishes both ends.
Telles, Middle Atlas, Morocco
A deep indigo-black ground is crossed by five horizontal bands of ornament, each filled with tight zigzags, diamonds, and small stepped motifs worked in faded rose, ochre, and cream. Narrow black rectangles left open between the bands create a grid-like effect, framed by matching patterned side borders and plain dark end panels.
An ivory ground carries three vertical lattices of brown diamonds formed by interlocking zigzag lines, flanked by open cream margins on either side. A stepped, crenellated brown border runs along the sides, contrasting with the plainer top and bottom edges, and the lower end finishes in loosely knotted blue and cream fringe.
