In Stock - Modern & 20th C.

A pictorial field depicts a group of riders on horseback moving across a patchwork of green fields toward a horizon of pale, cloud-shaped forms in grey and cream. The horses appear in flat silhouettes of blue-grey, black, orange, and red, their riders rendered in bold patterned coats of yellow, coral, dotted navy, and ochre florals, all outlined in heavy cream contours. A woven signature reading "GYNNING" appears in the lower left corner of the field; there is no separate border, the composition running edge to edge.

An overall lattice of interlocking zigzag bands in sage green, ochre yellow, coral pink, and charcoal runs edge to edge across an ivory ground, forming a continuous diamond-like trellis with no central medallion. The border is reduced to narrow parallel stripes in matching colors, framing the field without a separate corner treatment, and the pattern is cropped abruptly at the top and bottom edges as if continuing beyond the visible field.

A red ground panel organized into horizontal registers, each populated with rows of stylized figures rendered in a pale ivory tone against the field, separated by thin dark banding. Woven inscriptions in a repeating script run above several of the registers, and recurring scenes include mounted riders, standing groups, and figures flanking central emblems or tree-like motifs. A plain tan border frames the composition on all sides.

Possibly designed by Frida Hansen

A cubist portrait dominates the field, a fractured face rendered in ivory, taupe and charcoal planes set against a scored ground of vertical hatching. A plain grey-brown border frames the composition, its outer edge scattered with angular blue shards that break its otherwise even band. A woven monogram, appearing as 'LCG' with a date beneath, sits in the lower left corner of the field.

'Röda Trolleriet' (Red Magic)

Initaled "AB MMF, MH" (AB Märta Måås-Fjetterström, Marin Hemmingsson)

Provenance: Hotel Anglais

A pictorial field dominated by a large howling wolf-like creature rendered in patchworked tones of ochre, tan, and black, its body composed of dense angular striations and small emblematic marks. The surrounding ground is divided into irregular passages of slate blue, cream, and deep red, populated with smaller stylized bird and animal forms, star-patterned shapes, and scattered abstract signs.

The field is organized into six vertical bands, each subdivided into stacked rectangular blocks of varying heights, creating a patchwork grid across the surface. Fine horizontal striations run through every block, shifting in tone from warm cinnamon and taupe to pale cream and cool gray-brown, so the color reads as a continuous gradient interrupted by the block seams. No border framework separates the field from the edges, leaving the striped patchwork to run to the selvages.

A honeycomb lattice of hexagons covers the entire field in tones of warm tan and soft brown, each cell outlined by a slightly lighter banded line that gives the interlocking shapes a subtle raised effect. The hexagon interiors alternate faintly in shade, creating a quiet play of light and shadow across the surface, with no distinct border framing the design.