Soumak

Dark gray panels with abrash.

The field is organized as an all-over honeycomb lattice, taupe hexagonal frames enclosing individual panels of varying tonal intensity. Each hexagon reads as its own compartment, with the linear network of connecting bands left plain and slightly lighter than the panels it encloses, giving the composition a cellular, tessellated rhythm from edge to edge. No border separates the pattern from the outer edge; the hexagons run flush to the selvages on all four sides.

The field is composed entirely of triangular segments pieced into a repeating pinwheel grid, alternating solid grey-brown and warm taupe triangles with ivory ground triangles. A number of the triangular units are cut from narrow, multicolored striped strips - rust, ochre, indigo, and cream lines running parallel within each shape - breaking the otherwise plain color blocks. Visible stitched seams outline every triangle, and there is no separate border; the pattern runs edge to edge to a plain outer binding.

The field is organized into vertical panels of flatly woven horizontal bands, alternating warm tan and pale cream, giving an irregular checkerboard rhythm across the surface. One panel left of center breaks the pattern with a dense cluster of narrow dark brown and charcoal stripes, and thin threads of pink appear as isolated accents within two of the bands. There is no border framing the composition; the striped panels run to the edges on all sides.

The field is composed of irregular rectangular panels in ivory, taupe, and camel tones, arranged in an asymmetrical patchwork of blocks and bands. A running fret or key-pattern border in black and ivory runs along the right edge only, while the remaining borders are plain striped bands in brown and beige, with small black accent blocks interrupting the inner framing lines. The overall composition reads as a study in rectilinear color fields rather than a symmetrical repeating pattern.

Wool panels with regular linen stitch between the panels and 2 color wool binding at the edge.

Deco Fan design with colorful accent panels.

An overall geometric lattice covers the entire field, formed by interlaced bands that cross to create a repeating honeycomb of hexagons in muted tan and beige. Each hexagonal cell shows a subtly varied surface tone, ranging from warm camel to a cooler taupe, giving the grid a woven, basket-like appearance. There is no separate border; the pattern runs edge to edge, and no inscription or signature is visible.

A close-up view of a textured surface arranged in vertical ribbed columns, alternating between pale ivory and warm sand tones. The uneven, knotted texture of the fibers creates a tactile, corded rhythm across the field, with an inset detail highlighting the raised, looped structure of the surface. No border or central motif is visible, only the repeating striped pattern of the weave itself.

Weft: Striped Cotton

The field is left entirely open, a solid expanse of pale gold and ivory tones that shift subtly across the surface like natural variations in raw fiber. Fine warp-end fringe finishes the top and bottom edges in undyed white, while the selvage runs in a narrow plain band along each side. A detail inset in the lower corner reveals the close, irregular texture of the weave, where individual strands catch the light unevenly.

Weft: Poly Cotton

Warp: Khaki Carpet

The surface presents an all-over ivory field organized in vertical bands, alternating a looped, textured stripe with a smoother, flat-woven stripe. A circular detail inset shows the looped texture at close range, revealing individual knotted tufts casting soft shadows against the pale ground. No border, pattern, or inscription interrupts the plain tonal surface.