South American

Directoire Period

This carpet is characteristic of the Neoclassical style in vogue at the end of the 18th and beginning of the 19th centuries.

Louis XV Period.

Wool, plant fiber (hemp) and silk

Nested rectangular frames step inward across an ivory ground, each band edged in tan and filled with a zigzag chevron pattern in rust, slate blue, pale blue, and charcoal. The concentric squares diminish toward a small central panel where the same wavy stripe motif repeats at reduced scale, creating a telescoping effect. Colors remain consistent throughout, with the ivory field left open between each framed band.

A geometric composition of irregular rectangular blocks arranged in loose vertical columns, the ground shifting between camel, ivory, and pale grey without a distinct border, only a narrow charcoal band framing the top and bottom edges. The blocks are offset unevenly, some columns wider than others, creating a patchwork-like grid rather than a symmetrical repeat. Surface striations within each block run horizontally, giving a subtle banded texture to the otherwise flat color fields.

A Flemish Late Gothic Tapestry Panel

Early 16th century, Possibly Tournai.

Provenance: Dinolevi, Florence, ca. 1960.

A pictorial field depicts two draped, seated figures conversing beneath dense arching trees rendered in layered greens and golds, with a distant landscape of hills, water and small architectural forms visible through the foliage. In the foreground a cluster of leafy plants with pink and white blossoms grows beside an overturned ewer, while the narrow border running around the composition is filled with a repeating interlaced ribbon pattern in cream, rose and sage tones against a warm brown ground.

A tapestry field depicting a procession of ecclesiastical figures in white and pink vestments, centered on a mitred bishop receiving a host from a kneeling cleric, with acolytes bearing candlesticks flanking the group and a rose-hued column at right. Below the scene a heraldic shield with a Latin motto, "ZELVS DOMVS TVAE CONEDIT ME", is set within scrolling foliage, and the lower border carries a woven inscription in French, "COGNOISSANCE·LVY·APPORTANT·L'HOSTIE·AVECQVE·REVERENCE".

A long narrow runner filled with an all-over lattice of diamond-shaped medallions in alternating red, blue, and burgundy, each set against a warm gold ground and connected by dark brown vinelike stems. Small floral rosettes fill the interstices between diamonds, and the composition repeats without a distinct border, the pattern running to a scalloped red-and-white edge before the fringe at each end.