An ivory ground is covered in an all-over lattice of rose sprays, each cluster of coral and pink blossoms rendered with sage-green leaves and small sprigs of lavender and violet blossoms scattered between. A narrow rose-and-vine border, echoing the field's floral bouquets, frames the composition on all sides in the same soft rose, olive, and cream palette, with a slender striped guard line separating field from border.
The field is organized into a repeating grid of medallions, each a pale blue lozenge containing a bouquet of pink and rose-red roses with olive-green foliage, set within cream-colored acanthus scrollwork on a dark green-black ground. Small quatrefoil accents appear at the intersections of the scrolled lattice, and the pattern continues edge to edge without a distinct border, suggesting a continuous all-over tile design.
An open ivory field is left largely bare, animated only by a central floral bouquet and four matching sprays set in each corner, each rendered in soft pink, coral, blue, lavender and green with sprigs of foliage tied at the base. A narrow guard stripe in dusty blue with a meander pattern runs along the outer edge, framed by a thin red line closest to the field.
An ivory ground is scattered with small gold rosette sprigs and dominated by a single large central medallion of radiating acanthus-like leaves in coral pink, mustard yellow, pale blue and green, gathered around a compact dark green and orange rosette at the center. A slim rust line and a wider pale blue band frame the field as the outer border.
The field is divided into four equal rectangular compartments, each on a soft blue-grey ground bordered in peach and navy, holding four small rosette clusters in olive green and rust arranged at the corners. The wide outer border on a tan ground carries scrolling vine tendrils with olive leaves punctuated by pairs of stylized birds and paisley-like sprays in dusty rose and pale blue, framed by a narrow band of alternating navy and cream lozenges. Corner and mid-border medallions in small floral rosettes echo the palette of olive, rust, peach, and navy used throughout.
An American Floral Needlepoint worked by Sarabel Florsheim, signed with initials.
Dark brown, camel, beige and red striped panels.
The field is filled with a repeating geometric lattice of angular, fractured forms in tan and soft gold, each unit crossed by fine cream grid lines and diagonal slashes of pale blue and ivory that suggest a stylized architectural or foliate motif. A speckled, mottled texture runs throughout the ground, giving the surface an irregular, mineral-like patina. The border is composed of a narrow plain brown band framed by a wider ivory field patterned with interlocking cellular or reptilian-scale shapes rendered in the same muted gold and taupe palette.
