100% Cotton
The field is left open, without a bordered frame, its surface built entirely from horizontal striations of ivory, pale grey, and warm taupe. Diagonal bands of deeper brown drift across the composition in a soft zigzag rhythm, their edges blurred rather than sharply drawn. The overall effect is one of subtle gradation, with tonal shifts reading like light and shadow moving across the flatwoven surface.
Mixed Swedish Pile & Flat Weave Technique
100% Cotton
The surface is left entirely open, without border or medallion, its patterning arising instead from horizontal bands of flat, striated texture that shift in direction to suggest a subtle chevron movement across the field. Tones move between ivory, taupe, mushroom gray, and deep plum, blending in irregular streaks rather than fixed shapes. The overall effect is closer to a woven textile than a patterned carpet, with a soft, uneven grain running end to end.
100% Cotton
The field is left entirely open, without border or medallion, given over to a fine horizontal striation of ivory, taupe, plum, and deep brown that shifts irregularly across the surface. Small flecks and knots of darker fiber punctuate the banding at uneven intervals, giving the overall plane a mottled, atmospheric quality rather than a fixed pattern. The edges show a narrow selvage where the horizontal strands turn and finish.
100% Cotton
The field is left entirely open, borderless, given over to a horizontal drift of pale ivory, silvery blue, and slate grey striations that shift like water in light. Irregular bands of charcoal and deep grey break across the surface on the diagonal, forming loose, cloud-like drifts against the lighter ground. The edges finish in a plain, unembellished selvedge with no additional ornament.
100% Cotton
The field is left open, without border or medallion, animated by broad diagonal bands that shift from pale ivory to warm taupe and soft grey. These bands move in a loose zigzag across the surface, their edges irregular and slightly frayed in appearance, giving the composition a striated, almost tidal quality. Fine horizontal striations run throughout, catching light differently across the ivory and brown passages.
100% Cotton
The field is left entirely open, given over to horizontal striations of rust, terracotta, and pale cream that shift subtly in tone from row to row. No border frames the composition and no medallion or repeating motif interrupts the flatwoven surface. A circular inset in the lower right magnifies the structure, revealing the flecked, irregular texture of the intertwined strands that produce the overall mottled, sun-bleached impression.
100% Cotton
The field is left open, without border or medallion, given over entirely to irregular horizontal striations in ivory, moss and olive green that blend and separate unevenly across the surface. Flecks of deeper green interrupt the paler bands, giving the whole a mottled, striped effect rather than a fixed pattern. The detail view shows the loosely spaced structure, with slubbed threads and small knots visible where the coloured yarns cross the pale ground.
100% Cotton
The field is left open, with no border or central medallion, allowing the flat, textural surface to carry the whole design. Irregular horizontal bands of ivory, oatmeal, and taupe drift across the ground, interrupted at intervals by streaks of deep indigo blue that break the pale tonality like passing shadows. A detail inset in the lower corner shows the loose, open-weave structure up close, revealing individual threads and small slubs where the fibers catch the light unevenly.
