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Sardinian Carpet

"Aramu"

80% Wool, 20% Cotton

The surface is covered edge to edge by a small repeating diamond lattice, formed by short dashes of ivory set against a mottled grey-brown ground. No border frames the field; the pattern runs continuously to the edges of the visible section. An inset circle at the lower right offers a close-up of the same diamond structure, showing the individual dashes that build each lozenge.

Sardinian Carpet

80% Wool, 20% Cotton

The surface is built from a continuous herringbone chevron pattern in alternating tones of green-grey and ivory, creating a subtle zigzag texture across the whole ground. Scattered irregularly over this field are small V-shaped accents in a deep plum tone, standing out against the muted striping. A detail inset at lower right isolates one of these plum marks, showing how it interrupts the herringbone rows rather than following their diagonal line.

Sardinian Carpet

80% Grey Linen, 20% Cotton

The field is arranged in a continuous lattice of small diamonds, each enclosing a stylized quadruped rendered in a lighter tone against the taupe-grey ground. A plain narrow border in the same pale shade frames the field, set slightly in from the outer edge, giving the whole surface an even, all-over repeat with no directional emphasis. The palette stays close throughout, the pattern legible chiefly through the shift between matte ground and the crisper outlines of the diamond lattice and animal forms.

Sardinian Carpet

80% Wool, 20% Cotton

The field is organized into horizontal registers of repeating lattice and lozenge motifs rendered in pale ivory tones against a faintly warmer ground, each band separated by narrow striped divisions in soft grey-blue. A plain, undecorated border in matching ivory frames the patterned center, leaving the corners and outer edges open. The detail inset shows the tight, close-clipped surface texture where the diamond forms interlock in low relief.

Sardinian Carpet

100% White and Melange Blue Cotton

An open, undecorated field in mottled charcoal-grey fills the center, framed by a plain ivory band and then a wider outer border of the same speckled grey worked with a running key-fret pattern in ivory. The detail inset shows the close, ridged texture of the surface and the crisp transition where the pale border meets the dark field. The corners are left simple, with no additional medallions or figures interrupting the geometry of the borders.

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