Mohair and Calico
The field is composed of narrow horizontal bands alternating between a pebbled, knot-like surface and a smoother, flatter striation, shifting gently between sage green and pale cream. Dark brown fringe finishes the top and bottom edges, left loose and slightly uneven in length. No border is defined; the pattern of alternating textures runs edge to edge across the piece.
A plain-woven fragment or sample in a neutral ivory ground, left largely open with no defined border, framed top and bottom by loose dark brown fringe. Scattered irregular flecks and small nubs in cream, tan, and rust-brown run in loose horizontal bands across the surface, alongside a few thin dark dashes, giving the impression of a restrained, speckled pattern rather than a formal design.
Raffia and Cotton
The field is composed entirely of horizontal bands in alternating widths, moving through tones of ivory, honey, and warm tan. Texture varies row by row, with flatter, tightly bound courses set against looser, more fibrous stripes that catch the light differently. A detail inset highlights the contrast between the two banding textures, and the piece finishes on all sides with long, loosely twisted fringe left unbound.
Mohair and Raffia
The field is composed entirely of horizontal bands in alternating widths, moving between pale straw, ivory, and soft sage green tones. A detail inset in the lower right highlights the textured, looped quality of the striping, where rounded knots of green sit against flatter, straw-colored rows. Loose fringe finishes the top and bottom edges, left long and untrimmed in a natural cream color.
100% Cotton
The field is left entirely open, given over to a fine basketweave texture in alternating bands of ivory and soft taupe that catch light differently as the pattern shifts direction. A narrow plain selvage runs down one edge, and the lower end terminates in a loose fringe of twisted, unevenly gathered strands. A magnified inset in one corner isolates the weave structure, showing the crossing threads at closer scale.
100% Cotton
The field is left entirely open, its surface built from a fine basketweave-like structure of interlaced threads in undyed ivory tones, subtly flecked with pale gray. Faint horizontal ridges run across the width, giving the surface a quiet, textural rhythm rather than any drawn pattern. A magnified detail inset highlights the tight, even crossing of the threads, and the piece ends in a loose, unbraided fringe along the lower edge.
100% Cotton
The field is left entirely open, an unbroken expanse of pale, undyed tone rendered in a plain basket-like grid of thick and thin strands. A magnified inset shows the crossing threads in close detail, revealing the texture of the surface where knots and slubs interrupt the otherwise even lattice. At the lower edge, the ground gives way to a loose fringe, with a handful of strands pulled and left dangling irregularly.
100% Cotton
The field is left entirely open, its ground built from an even, basket-like interlacing of ivory and slate-blue threads that catch light unevenly across the surface. Faint horizontal banding emerges where the two tones shift in density, giving a subtle striped effect without any drawn border or ornament. The lower edge finishes in a loose, uneven fringe of the same paired yarns, and a circular inset at the lower right offers a magnified view of the plain, open weave structure.
Mohair & Cotton
Mohair from South Africa
Made in Sardinia
Color: White
