A pale ivory field carries a faded central medallion in soft coral-red, with quartered corner spandrels and vertical rows of small palmettes and rosettes running its length. The wide border repeats a scrolling floral vine in the same muted coral against a warm sand ground, framed by narrow guard stripes. The overall palette has settled into gentle tones of cream, straw, and pink, giving the surface a soft, almost monochrome appearance.
Provenance: James L. Britton- Hatfield Plantation.
A soft coral-pink field carries a chain of angular medallions rendered in muted sage, ochre, and ivory, each linked point to point along the vertical axis and surrounded by scattered palmette and leaf forms. The wide ivory border holds a meandering vinework of rosettes and serrated leaves in rust, gold, and grey-green, framed by narrower stripes at the outer edges. The overall palette stays soft and worn, with the pink ground lightening toward the corners where the pile is thinnest.
The field glows a warm rust-orange, overlaid with a diagonal lattice of pale ivory, sage, and mustard vinework that forms diamond compartments enclosing serrated palmettes and small rosettes. A central small medallion of ivory and gold sits at the field's midpoint, while the broad green border carries a repeating chain of large rosettes in ivory, coral, and yellow, framed by narrower guard stripes of stylized floral and cruciform devices.
An open, softly golden field is anchored by a single lozenge-shaped medallion filled with dense angular lattice work in muted rose and charcoal tones. Slender palmette-and-vine pendants extend from the medallion's points toward the field's corners, echoing the border's larger rosettes and scrolling palmettes set within multiple narrow guard stripes. The wide main border, in warmer ochre, repeats round floral cartouches alternating with elongated leaf forms, all rendered in a consistent muted palette of gold, rose, and soft brown.
A cusped, lozenge-shaped medallion in muted rose anchors each end of a wide ivory field, connected by scattered small floral sprays rendered in soft gold outline. The steel-blue spandrels carry a dense trailing vine of palmettes and blossoms that continues into the wide rose-ground border, framed by narrower guard stripes in ivory and blue with small repeating floral forms. The corner medallion fragments echo the central medallions, giving the composition a balanced, mirrored symmetry.
The ivory field with an overall design of boteh containing delicate flowering vine, in a soft yellow border of palmettes and flowering scrolling vine between pink floral meander, light blue S-motif stripes.
An open pale celadon field carries a central medallion of pink, lavender, and gold florettes, flanked by seven smaller diamond-shaped pendant medallions arranged in a vertical and diagonal cluster. Quarter-palmette cornices in ivory, sage, and rose fill the field corners, echoed by a broad ivory border of scrolling floral vine set between narrow sage and rose guard stripes.
An ivory field is scattered with a fine allover pattern of small blossoms and curling vine tendrils rendered in faded rose, sage, and taupe. A lobed medallion in muted gold occupies the center, its interior holding a smaller cartouche filled with delicate floral sprays, while quarter-medallions echo the same palette in the corners. The border repeats a rose-ground vine-and-rosette design framed by narrow guard stripes in soft green and pink tones.
An abstracted floral medallion in rust and blue extends along the central axis of a light sage field scattered with palmettes, serrated leaves, and small blossoms. A gold band separates the field from a broad rust border filled with rows of angular blue-and-ivory diamonds, flanked by narrower guard stripes carrying stylized rosettes on a soft gold ground.
