Undyed Wool
The field is left entirely open, a plain expanse of pale straw and honey tones that shift subtly across the surface with faint striations of light and shadow. No border, medallion, or figural motif interrupts the composition, allowing the natural variation in tone to serve as the only visual interest. A close-up inset shows the texture of the surface, revealing gentle color striping running in horizontal bands.
The field is organized as an even grid of rectangular blocks in varying tones of olive and khaki brown, each cell divided by fine dark and pale ivory lines running both horizontally and vertically. There is no separate border; the grid pattern extends uniformly to the edges, with occasional bands of pale cream interrupting the rows at irregular intervals. The overall palette stays within muted browns, olive greens, and soft ivory.
Undyed Wool
The field is left entirely open, given over to fine horizontal striations that shift subtly between sand, taupe and darker umber tones, giving the surface a striped, almost grained appearance like layered earth. No border frames the composition, and no motifs interrupt the banded pattern, which runs edge to edge with irregular, hand-drawn waviness. A detail view at lower right shows the texture up close, revealing slight variations in the thickness and spacing of the striped bands.
Undyed Wool
The field is organized into a grid of rectangular compartments outlined in a soft taupe-brown line, each cell filled with a subtly abrasive, cloud-like variation of ivory, straw, and pale lavender tones. No border frames the composition; the grid runs to the edges, giving the surface an open, modular quality. Fringe finishes the top and bottom edges in the same undyed palette as the ground.
Undyed Wool
The field is composed of offset rectangular blocks arranged in a brick-like pattern, running edge to edge without a distinct border. Tones shift gently from pale cream through warm taupe and grey-brown to deep charcoal, giving each block its own hand and sheen. A detail view in the lower corner shows the surface texture, where the abrupt boundaries between blocks create a subtle patchwork of light and shadow.
Undyed Wool
The field is left entirely open, a plain expanse of warm sand and honey tones broken only by subtle striations running the length of the piece. Faint horizontal bands of slightly deeper taupe and gray drift across the surface, giving a soft, textured movement rather than a defined pattern. No border, medallion, or additional ornament interrupts the plain ground, and the detail view shows the same fine linear striping close up.
Undyed Wool
The field is left entirely open, a plain expanse of pale straw and honey tones that shift subtly with the play of light across its surface. No border, medallion, or figural motif interrupts the ground; the only visible detail is the texture itself, a faint striated grain running horizontally, with loose fringe visible along the top and bottom edges.
Undyed Wool
The field is left open, a plain expanse of pale gold and cream that shifts in tone as light moves across the surface, producing a rippling, almost watered effect. A faint diamond lattice is impressed into the surface, visible only as a subtle sheen against the surrounding ground rather than as a drawn pattern. A circular inset at the lower right offers a close view of the surface's irregular, flecked texture.
Undyed Wool
The open field glows a warm camel tone, its surface animated by subtle striations and a loose scatter of small polychrome dots arranged in a soft diamond pattern across the center. A plain sage-grey band frames the field, followed by a wide ivory border speckled with tiny multicolored dots and faint watery striations, all enclosed by a dark umber outer band. The corners meet cleanly with no interruption to the concentric arrangement, and the palette throughout stays within natural, undyed tones of cream, taupe, grey, and brown.
Undyed Wool
The field is left open, its surface animated only by a subtle watery movement of pile direction that catches the light in soft ripples across a muted olive-grey ground. A wide plain border in warmer beige surrounds it, framed by a fine flat band and finished with a narrow ivory selvage at each end. No ornament interrupts either zone, so the entire composition relies on tonal contrast and the shifting texture of the pile itself.
