Herringbone
Undyed Wool
The field is left entirely open, given over to a fine diagonal herringbone surface that alternates natural cream and taupe tones in narrow chevron rows. A plain flat border in a deeper taupe frames the piece on all sides without further ornament. The detail inset shows the herringbone texture at close range, revealing the crisp zigzag rhythm formed by the two-tone striations.
Herringbone
Undyed Wool
The field is left entirely open, its surface animated only by the subtle diagonal ridges of a herringbone pattern catching the light in soft variations of ivory and pale tan. A narrow, flat band of the same tone runs along the outer edge in place of a decorated border. The detail view reveals the twisted, ropelike texture of the surface up close, showing how the alternating diagonals interlock to form the overall pattern.
Undyed Wool
An open field of finely striated charcoal and slate tones runs in horizontal bands across the surface, with faint threads of taupe and green appearing where the striations catch light. This darker expanse is set within a plain, unadorned border of pale ivory and beige, its surface similarly streaked in a subtler, more uniform rhythm. The transition between field and border is crisp, with no corner devices or secondary framing lines interrupting the two flat planes of color.
Undyed Wool
The field is left entirely open, a single expanse of pale straw and honey tones that shift subtly with the play of light across the surface, without any border or medallion to interrupt it. A detail inset in the lower corner reveals the texture up close, showing rows of twisted strands in varying shades of cream, gold, and soft brown. Loose fringe finishes the lower edge, echoing the same undyed hues seen throughout the surface.
Undyed Wool
The field is left open to a continuous, all-over pattern of layered, arcing lines that curve and overlap like ripples or rolling dunes, rendered in close tonal variations of tan, taupe, and soft grey. No distinct border frames the composition; the wave motifs simply run to the outer edges, their rhythm shifting subtly in density and direction across the surface. Flat fringes finish the top and bottom edges, plain and undecorated.
Undyed Wool
The field is a plain rectangle of mottled grey, its surface built from fine horizontal striations that catch light unevenly across the expanse. A wide, unadorned border in warm sandy tones frames the field on all sides, meeting it in a clean, unbroken line. An inset detail shows the close texture of the surface, where individual plied strands twist and shift between lighter and darker tones.
Undyed Wool
The field is left entirely open, an unbroken expanse of pale straw and cream tones that shift subtly across the surface in soft striations. A narrow plain border in the same tonal range frames the piece without contrast, and loose fringe finishes both ends. The detail view shows fine horizontal banding where lighter and slightly deeper natural tones alternate in irregular bands.
Undyed Wool
The field is left entirely open, a plain expanse of pale straw and honey tones that shift subtly across the surface with faint striations of light and shadow. No border, medallion, or figural motif interrupts the composition, allowing the natural variation in tone to serve as the only visual interest. A close-up inset shows the texture of the surface, revealing gentle color striping running in horizontal bands.
The field is organized as an even grid of rectangular blocks in varying tones of olive and khaki brown, each cell divided by fine dark and pale ivory lines running both horizontally and vertically. There is no separate border; the grid pattern extends uniformly to the edges, with occasional bands of pale cream interrupting the rows at irregular intervals. The overall palette stays within muted browns, olive greens, and soft ivory.
Undyed Wool
The field is left entirely open, given over to fine horizontal striations that shift subtly between sand, taupe and darker umber tones, giving the surface a striped, almost grained appearance like layered earth. No border frames the composition, and no motifs interrupt the banded pattern, which runs edge to edge with irregular, hand-drawn waviness. A detail view at lower right shows the texture up close, revealing slight variations in the thickness and spacing of the striped bands.
