Spanish

The field is organized in a garden-panel layout, sixteen rectangular compartments arranged in four rows of four, each containing a tree, vase of flowers, or small animal figures rendered in ivory, gold, and rust against pale ochre grounds. A radiating medallion of interlocking blue and cream lattice-work sits at the center, breaking across the grid of panels. The wide border carries an undulating vine of palmettes and serrated leaves in sage green and tan on a dark indigo ground, framed by narrower guard stripes of small floral repeats.

An ivory ground carries an interlaced lattice of curling vinework forming four large medallion compartments, each centered on a rosette and scattered with smaller palmettes and floral sprays in muted gold, sage, and soft gray tones. A central quartered medallion anchors the composition where the four compartments meet, flanked by vase-like floral forms along the vertical axis. The wide border repeats a dense flowering vine on a warm tan field, framed by several narrower guard stripes of small-scale floral repeats.

An overall lattice of interlocking medallions in rust and pale blue fills the field, each compartment centered on a small rosette against a warm terracotta ground. The wide border presents alternating panels of stylized floral sprays and cypress-like forms in gold, cream, and rust, framed by narrow blue-ground guard stripes carrying a repeating vine. The corners resolve the pattern cleanly, and the palette throughout stays within rust, gold, cream, and deep blue.

The deep indigo field is covered in an all-over lattice of palmettes, rosettes, and cypress-like sprays rendered in ivory, soft rust, and pale blue, with vertical rows of pointed cartouche forms repeating across the surface. A wide tan border filled with dense floral scrollwork separates two narrower indigo guard stripes patterned with small blossoms. The composition is symmetrical along both axes, with the field pattern running consistently to the outer edges without a directional medallion.

Geometric pattern in gray-blue, purple turquoise, black and gray-brown.

A large lobed medallion built of nested diamond outlines in alternating rust and ivory grounds dominates the field, each layer filled with small-scale herati-type floral lattice in muted rust, slate blue, and cream, with pointed pendant finials extending from the medallion's top and bottom tips. The corner spandrels echo the same dense floral scrolling in rust against ivory, and the surrounding border stack pairs a wide band of rosettes with narrower guard stripes carrying a repeating boteh-like leaf motif in dark brown on tan.

Rya Wall Hanging (Pile and Flat Weave technique)

Signed: Mary Moeschlin

Sold as a pair or as an individual.

#03447 measures 4' 3" x 4' 6"

#22275 measures 4' 9" x 4' 7"

The deep red field is covered in an allover lattice of angular vine work, from which spring ivory palmettes and rosettes arranged in staggered rows, interspersed with small blue and cream botehs and star forms. A slate-blue main border of stylized floral vinery is framed by narrower stripes of cream, red, and a serrated leaf pattern along the outer edge. The overall palette stays close to brick red, indigo, ivory and soft slate blue throughout.

The field is divided into two columns of six rectangular compartments, each holding a stylized crouching lion or feline rendered alternately in orange against a dark brown ground and in dark brown against a lighter camel ground. A diagonal-striped border in slate blue and burnt orange frames the field, with matching striped cornerpieces at each corner. Warp fringe is left plain and undyed at both ends.

An ivory ground is covered edge to edge with tidy rows of small motifs: multi-pointed stars alternating with simple upright tree-like figures, worked in coral red, slate blue, olive green, and brown. A thin blue line frames the field, set within a plain ivory border, and the flat-woven ends finish in short warp fringe.