Wool

Swedish Flat Weave

An open orange field is scattered with five deep red roses arranged loosely across the center, while a dense garland of ivory and blush roses on twisting leafy stems frames the interior, breaking asymmetrically into the field at the upper left. A solid indigo border encloses the composition, with a small woven monogram visible in the lower right corner and long warp fringe left exposed at both ends.

Mahal

An overall lattice of scrolling vine work covers the slate-blue field, each intersection anchored by a palmette or serrated leaf in rust, ivory, and gold, with small birds tucked among the tendrils. A deep indigo border frames the composition with a repeating rosette-and-leaf pattern, flanked by narrower guard stripes in camel and cream that echo the field's palette. The design maintains a steady rhythm from top to bottom, broken only by slight variations in the coloring of individual palmettes.

UPHOLSTERY FABRIC

100% Cotton

The surface presents an all-over striated pattern of fine horizontal ridges alternating between soft grey and off-white tones, giving the ground a subtle banded rhythm rather than any central medallion or border. A close-up inset shows the texture magnified, revealing the flattened, ribbed quality of these lines and the slight irregularity of their spacing. No inscriptions, motifs, or asymmetries interrupt the uniform striping across the field.

UPHOLSTERY FABRIC

70% Cotton, 30% Viscose

The surface is a plain sand-toned ground crossed by narrow horizontal bands where slender segments of color interrupt the otherwise solid tone. Each banded row carries small, irregular dashes of navy, coral red, mustard yellow, pale pink, and dusty blue, spaced unevenly like a coded sequence rather than a repeating pattern. A magnified detail at lower right isolates one such row, showing the small colored segments sitting slightly proud of the plain weave around them.

UPHOLSTERY FABRIC

70% Cotton, 30% Viscose

A plain golden ground crossed by narrow horizontal bands where slender threads of pale blue, orange, ivory, and near-black appear at irregular intervals, like a faint pulse running through the surface. The detail inset shows the texture at close range, revealing the flat weft-faced structure and the way these colored accents sit just above the ground rather than blending into it. No border or central motif is visible in this section, only the quiet rhythm of the stripes across an otherwise open field.

UPHOLSTERY FABRIC

70% Cotton, 30% Viscose

The surface is composed of horizontal bands of dense charcoal-black ground, broken at intervals by thin striations of ivory, ochre, and slate-blue threads that run in irregular, broken sequences across the width. These pale bands appear almost hand-flecked, with gaps and color shifts rather than a continuous line, giving the surface a subtly irregular rhythm. A magnified inset in the lower right highlights the tight, ribbed texture of the weave and the way the colored threads sit slightly raised against the darker field.

UPHOLSTERY FABRIC

70% Cotton, 30% Viscose

The surface is composed of narrow horizontal bands in varying textures of ivory and cream, some ribbed and others flatter, running parallel across the field. Scattered along a few of these bands are small, irregular flecks of color—pale yellow, slate blue, and touches of gold—arranged in loose, sparse clusters rather than a repeating pattern. A magnified detail circle isolates one such band, showing the flecks sitting slightly proud of the surrounding weave.

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