65% Linen, 35% Cotton
An open ground shifts gently from pale cream at the top to a warmer straw tone below, divided by a single narrow band woven in a slightly deeper gold. A circular inset magnifies this transition, revealing the fine crosswise ribbing where the two tones meet along a thin decorative cord. The surface throughout is otherwise unpatterned, its interest carried entirely by the subtle gradation of color and the texture of the weave.
65% Linen, 35% Cotton
An open, unadorned field in a warm oatmeal tone gives way to a solid band of slate blue near the lower edge, the two zones separated by a single irregular line and a row of small pale beading. A magnified detail circle highlights the plain, evenly spaced grid of the surface where the two color fields meet, showing the beaded line running parallel to the transition.
Sheer fabric and curtain.
55% Linen, 45% Cotton
Sheer fabric and curtain.
60% Linen, 35% Cotton, 5% Viscose
100% Cotton
The surface presents an all-over horizontal ribbing, a fine, even striation running left to right across the entire ground with no border or field distinction. Tonal variation moves subtly between pale ivory and warm taupe, giving the flat expanse a quiet, textured shimmer rather than a distinct pattern. The detail inset shows the close, regular banding at closer range, confirming the texture as the sole decorative interest of the piece.
A cushion front worked as a pastoral vignette: a seated woman in a pink dress and pale bonnet holds a shepherd's crook amid grazing sheep, set against a blue sky and green landscape with a slender tree at right. The scene is framed by an irregular cartouche of tan and brown scrollwork suggesting drapery or foliage, bordered by a plain dark ground finished with a twisted cord edge and tasseled corners at each end.
A cushion cover woven as a pastoral scene: a seated figure in a rose-pink coat plays a pipe beneath a tree, surrounded by grazing sheep, a dog, a distant flock of birds, and a rolling blue-green landscape with a mountain horizon. The surround is filled with a dense scrolling pattern of dark brown, cream, and rust foliate forms, and the piece finishes with twisted cord edging and tasseled corners in muted brown and tan tones. The palette throughout is soft - dusty rose, sage green, cream, and umber - typical of a worn pictorial ground.
Un-dyed Tinagac Tupos fiber and cotton threads.
Cut and pile technique, 2 levels, bleached New Zealand wool and Ash wool with border.
