Content: Polypropylene
The field is composed entirely of alternating horizontal bands in charcoal and pale silver-grey, the two tones blending softly at their edges rather than meeting in a crisp line. No border frames the composition, and the striped ground runs uninterrupted to a loosely knotted fringe at top and bottom. A circular inset at lower right magnifies the surface, revealing the coarse, irregular texture of the yarns and the visible structure of the weave.
A runner divided into five horizontal blocks of solid color — mauve, sage green, peach, slate blue-gray, and taupe — each centered with a single irregular, hand-drawn circle rendered in cream. Bare warp-end fringe finishes both short ends, and the circles shift slightly in shape and placement from panel to panel, giving the repeat a loose, unmeasured quality rather than a strict grid.
Content: Polypropylene
The surface presents an all-over diagonal herringbone pattern, formed by alternating rows of taupe-brown and pale ivory tones that shift direction to create a subtle zigzag rhythm across the field. There is no border or central motif; the design relies entirely on the texture of the weave itself. A detail inset shows the close, tightly packed structure of the material at magnification, revealing the interlacing threads that produce the overall mottled, heathered appearance.
A tonal ivory ground carries a stacked meander column running the length of the field, flanked by diagonal zigzag lines that step outward toward the corners. Concentric key-pattern borders in the same soft taupe tone frame the field, with a narrow dotted guard stripe closing the outer edge. The palette stays entirely within cream and pale grey-beige, giving the design a monochrome, low-contrast surface.
An asymmetrical grid of rectangular and square blocks fills the field with no border to speak of, the composition running edge to edge and finishing in loose warp fringe at top and bottom. Colours shift in flat, unadorned panels of taupe, oatmeal, dove grey, and pale ivory, each block a slightly different scale so the layout reads as a loose patchwork rather than a repeating pattern.
Undyed organic cotton, natural hemp
An open, undecorated ground of plain, tightly woven texture occupies most of the field, its surface catching light in a subtle sheen. Along the lower edge runs a band of horizontal striping, thin lines of tan and cream alternating in a gentle wavering rhythm. A circular inset magnifies this striped section, revealing the crisp alternation of light and darker threads that forms the pattern.
Undyed organic cotton
The field is left entirely open, a plain expanse of pale, undyed ground with only the natural texture of the weave visible. Along the lower edge, a band of fine horizontal ridges introduces a subtle striped rhythm before the surface returns to its flat, unbroken plane. A detail inset shows the close, even texture of these ribbed lines against the smoother field above.
Undyed organic cotton, natural hemp
The surface presents an unbroken expanse of pale ivory ground, its plain weave interrupted only by a horizontal band of denser, ribbed texture near the lower edge. A circular inset magnifies this banded section, revealing a tighter basket-like interlacing against the smoother field above. No motifs, borders, or figuration appear; the composition reads as a study in tone and structure alone.
Undyed organic cotton, natural hemp
An open, unadorned ground in pale ivory runs plain across most of the field, meeting a horizontal band of coarser, tan-toned weave along the lower edge. A circular inset magnifies this band, revealing its looser, basket-like interlacing set against the tighter, smoother weave of the field above. The contrast lies purely in texture and tone, with no additional pattern, motif, or inscription visible.
Undyed organic cotton, natural hemp
The surface presents a plain, unpatterned expanse in a soft ivory tone, interrupted only by two horizontal bands of open lattice work near the lower edge. Within these bands, cross-hatched threads form a series of small diamond-shaped openings that let the lighter ground show through. A magnified inset highlights the knotted structure of these openwork rows, revealing the crossing threads pulled taut against one another.
