Content: Polypropylene
The surface presents an unbroken herringbone pattern, its diagonal ribs running in alternating directions across the entire square. Tones shift subtly between ivory and pale taupe as the light catches the twisted strands at different angles. A detail inset at lower right reveals the tight basket-like interlacing that produces the pattern, with individual strands visibly plied in two-tone yarns of cream and grey.
Content: Polypropylene
The field is left entirely open, a solid expanse of mottled grey and ivory flecks with no border, medallion, or figural motif to interrupt the surface. A close-up inset at lower right reveals the texture underneath, showing thick, twisted strands woven in a loose, nubby pattern that catches light unevenly across its surface. Fringe in matching pale tones finishes the lower edge, while the top and sides are bound in a plain flat selvage.
Content: Polypropylene
The field is left entirely open, given over to a fine, all-over striation of charcoal and undyed ivory that reads as horizontal banding across the surface. A narrow plain band in the same pale tone runs along the lower edge before the piece resolves into a knotted fringe, the twisted tassels alternating dark and light strands. A circular inset at lower right magnifies the weave, showing the close, irregular interlacing of the two tones at close range.
Content: Polypropylene
The field is left plain, without a distinct border, built from tight horizontal bands of alternating rows in taupe-brown and pale ivory, threaded through with fine flecks of cornmeal-blue. A detail inset at lower right shows the close basket-like interlacing of the surface, where the twisted strands catch light differently row by row, giving the overall ground a soft striped rhythm. Loose warp fringe finishes the top and bottom edges, left long and slightly uneven in tone.
The field is left entirely open, a plain expanse of undyed ivory ground bordered by wide flanking panels of fine horizontal striping in soft gray and dark brown against the same cream base. Thin dashed lines in dark brown trace the inner border edges, and both ends finish in loosely knotted ivory and dark fringe. The overall palette stays close to natural undyed tones, with the striped bands providing the only textured contrast to the empty center.
Content: Polypropylene
The surface presents an all-over flatwoven texture without a distinct border or field division, the pattern arising purely from the alternating bands of the weave itself. Horizontal rows shift between a pale ivory and a heathered charcoal-grey, occasionally interspersed with a soft taupe, producing a subtle striated rhythm across the whole. A detail inset at lower right magnifies the plain weave structure, showing the twisted, multi-toned yarns crossing in a simple over-under interlacing.
Content: Polypropylene
The field is composed entirely of alternating horizontal bands in charcoal and pale silver-grey, the two tones blending softly at their edges rather than meeting in a crisp line. No border frames the composition, and the striped ground runs uninterrupted to a loosely knotted fringe at top and bottom. A circular inset at lower right magnifies the surface, revealing the coarse, irregular texture of the yarns and the visible structure of the weave.
A runner divided into five horizontal blocks of solid color — mauve, sage green, peach, slate blue-gray, and taupe — each centered with a single irregular, hand-drawn circle rendered in cream. Bare warp-end fringe finishes both short ends, and the circles shift slightly in shape and placement from panel to panel, giving the repeat a loose, unmeasured quality rather than a strict grid.
Content: Polypropylene
The surface presents an all-over diagonal herringbone pattern, formed by alternating rows of taupe-brown and pale ivory tones that shift direction to create a subtle zigzag rhythm across the field. There is no border or central motif; the design relies entirely on the texture of the weave itself. A detail inset shows the close, tightly packed structure of the material at magnification, revealing the interlacing threads that produce the overall mottled, heathered appearance.
A tonal ivory ground carries a stacked meander column running the length of the field, flanked by diagonal zigzag lines that step outward toward the corners. Concentric key-pattern borders in the same soft taupe tone frame the field, with a narrow dotted guard stripe closing the outer edge. The palette stays entirely within cream and pale grey-beige, giving the design a monochrome, low-contrast surface.
