VINTAGE KILIM COMPOSITION
The field is left plain, divided into four vertical panels by narrow whip-stitched seams, each panel showing a slightly different tonal cast within the same range of tan, sand, and pale ivory. Subtle horizontal striations run across the surface, suggesting variation in the spun material rather than any woven pattern, and the outer edge is finished with a thick overcast stitch in cream. There is no border, medallion, or ornament of any kind, only the interplay of natural, undyed tones.
