An open, undecorated field in a mottled charcoal-brown ground is divided by three narrow ivory bands of twisted, braid-like stitching running vertically from top to bottom. A matching ivory line frames the outer edge, echoing the interior stripes, while the ground itself shows subtle variation in tone from near-black to lighter taupe flecks.
The field is left entirely open, given over to horizontal bands of flatwoven brown ranging from near-black to warm chocolate, with irregular streaks of lighter tan running through the striations. A narrow ivory selvage frames all four sides, plain and unadorned, with no border pattern or corner device to interrupt the plain striped ground.
A plain flat-woven field left entirely open, composed of narrow horizontal bands in varying shades of taupe, grey-brown, and warm beige, with a solid dark brown band running across the top edge. The surface shows subtle irregularities of texture from row to row, and the perimeter is finished with a thin braided edge in alternating cream and dark brown.
A flatly banded field runs in horizontal registers of taupe, oatmeal, and deep chocolate brown, each stripe varying slightly in width and texture with visible irregularities in the yarn. Thin striations of grey and ivory thread through the wider bands, giving a subtle variegation within each color zone. The edges are finished with a plain, tightly wrapped selvage in dark brown, and no border, medallion, or figural motif interrupts the plain striped composition.
The field is composed of horizontal bands in varying widths, alternating between deep umber-brown stripes and lighter taupe and oatmeal grounds streaked with fine irregular lines of gray and cream. There is no border in the conventional sense, only a narrow flat selvage finished in a herringbone-like stitch along all four edges. A faint blush of pink appears as a small irregular fleck within one of the lighter bands, an isolated departure from the otherwise neutral palette.
The field is left plain, an open expanse of mottled brown and grey flecked pile divided into four vertical panels by narrow ivory seam lines. A whipstitched ivory edge finishes the perimeter, providing the only contrast to the otherwise undyed, tonal surface.
The field is left plain, divided into four vertical panels by narrow woven seams, each panel showing subtle horizontal striations in mingled tones of taupe, warm brown, and ash grey. There is no border or applied ornament; the surface reads as a series of undyed, softly variegated bands, edged with a heavier overcast finish in cream.
The field is left plain, divided into four vertical panels by narrow whip-stitched seams, each panel showing a slightly different tonal cast within the same range of tan, sand, and pale ivory. Subtle horizontal striations run across the surface, suggesting variation in the spun material rather than any woven pattern, and the outer edge is finished with a thick overcast stitch in cream. There is no border, medallion, or ornament of any kind, only the interplay of natural, undyed tones.
The field is left entirely open, rendered in a mottled charcoal-brown ground with faint variations of gray and rust running horizontally through the surface. Three ivory whip-stitched seams divide the field into four vertical panels of nearly equal width, echoed by the same ivory blanket stitch that finishes all four edges. No border, medallion, or other ornament interrupts the plain expanse.
An open, undecorated field in a flecked ivory tone is divided into narrow vertical panels by three cross-stitched seams in taupe, marking the joining of separate loom widths. A blanket stitch in the same taupe tone runs continuously around all four edges, framing the plain surface without any additional border or field motif.
