A tan ground carries a symmetrical lattice of scrolling vine work centered on a vertical axis of interlocking palmettes in pale blue, ivory, and rust. The border repeats large palmette medallions in deep amber and slate blue against the same tan field, framed by a narrow green guard stripe. Fringe is visible along the top and bottom edges.
An amber-gold field carries a dense scrolling arrangement of palmettes, rosettes, and cloudband-like cartouches rendered in soft blue-gray and cream, with three medallion-like clusters arranged along the vertical axis. A wide olive-green border filled with mirrored leafy scrollwork frames the field, set off by a narrow ivory guard stripe patterned with small serrated devices.
An ivory ground carries a lattice of interlocking diamond medallions rendered in outline, each hung with small hooked pendants and set within a cruciform lattice of stepped forms, all drawn in soft blue-grey tones. The border repeats a running vine of small florets and a narrow reciprocal zigzag band before closing on a plain blue-grey outer guard, echoing the field's restrained palette throughout.
The field is a soft cream ground overlaid with a fine brown lattice of diamonds, framed by a plain dark outline. The wide border on an ivory ground presents a repeating procession of birds - some perched, some standing, rendered in muted teal, ochre, taupe and brown - alternating with small potted floral sprays and vase motifs at the corners. Each bird and plant vignette is spaced individually against the open ground, giving the border a scattered, almost naturalist-illustration quality.
The field, a pale straw ground, carries a vertical lattice of interlocking cusped medallions outlined in deep wine red, each enclosing small rosettes and sprigs of blue-gray and dusty rose blossoms on slender scrolling stems. A wide outer border repeats large palmettes and rosettes within roundels along a matching straw ground, framed by a narrower guard stripe of small floral lozenges in muted blue-green and rust. The palette throughout stays soft and consistent: ivory-gold ground, wine-red medallion outlines, and accents of sage, slate blue, and faded rose.
A long runner with a dark brown ground filled with an all-over repeat of small ivory palmette-like motifs arranged in tidy diagonal rows. The main border, also brown, carries a repeating boteh-like curling leaf pattern in cream, framed by narrower guard stripes of fine scrolling vine ornament. The overall palette is restrained, limited to deep brown and pale ivory throughout the field and borders.
An ivory field carries a repeating column of large lobed palmettes alternating with diamond medallions, each palmette flanked by pairs of curling leaf forms in ochre and taupe. Sprays of small florets and feathery vine tendrils in sage green and pale blue fill the ground between motifs. The main border is a lattice of pointed diamonds in gray-brown and gold, framed by narrower guard stripes of small blossoms on a cream stripe.
A pale sage-green field is filled with a symmetrical arrangement of large palmettes, serrated leaves, and vinework rendered in soft ivory, rust, and taupe tones, organized along a central vertical axis. The ivory border repeats the same palmette-and-leaf vocabulary at a larger scale, framed by a narrow guard stripe of angular latch-hook forms in rust and cream. The overall palette stays muted throughout, with no sharp color contrasts breaking the field.
An ivory field carries an all-over lattice of scrolling vinework interspersed with palmettes, lanceolate leaves, and small blossoms rendered in rust, gold, sage green, and touches of slate blue. Anchoring the composition are three stacked, fan-shaped palmette clusters running down the vertical axis, echoed by scattered serrated leaf forms throughout. The main border, a narrow rust band filled with small repeating floral sprigs, is flanked by wider ivory guard stripes patterned with alternating rosettes and elongated botanical devices in the same restrained palette.
Iraka Fiber
A circular format built from interlocking curved petal shapes, each segment rendered as an overlapping arc that spirals toward a small central rosette. The palette moves through soft ivory, warm tan, and pale taupe, with thin dark outlines tracing every curved edge to separate one segment from the next. Directional striations within each shape catch the light differently depending on the angle of the surface, giving the whole composition a subtle pinwheel motion.
