A trellis-patterned ground in soft ochre supports a central lobed medallion of deep blue and ivory, filled with layered rosettes in coral, rose, and gold. Scrolling acanthus fronds in blue-gray and sage extend from shell-form cartouches at the top and bottom edges, echoed by smaller shells tucked into the corners of the wide floral border. The outer border repeats a garland of pink blossoms and green leaves on a matching ochre ground, framed by a slender striped guard band.
An olive-green ground carries a repeating pattern of large paisley-form boteh motifs rendered in ivory and rust, each filled with sprays of small pink and green flowers. A wide striped border in cream, grey, and olive frames the field, with scrolling floral corner cartouches echoing the interior palette.
An ivory field carries an all-over symmetrical arrangement of palmettes, lotus-like blossoms, and curling serrated leaves rendered in muted teal, olive, and tan, organized around a small central diamond medallion. The main border, a rich mustard-gold ground, repeats a meandering vine with alternating rosettes, flanked by narrower guard stripes filled with small floral sprays in pale blue, tan, and cream. Corner brackets echo the palmette forms of the field, giving the composition a balanced, continuous quality.
An ivory ground carries an axial arrangement of rust-toned palmettes linked by pale green scrolling vines, with smaller rosettes and sprigs in soft blue, cream, and terracotta filling the field. The wide border repeats the same rust and blue floral vocabulary against a warm tan ground, framed by a narrow guard stripe of small blossoms just inside the fringed edges. Colors throughout stay muted and sun-bleached, with the palette limited to ivory, rust, sage green, and powder blue.
A soft blue field is covered edge to edge in large palmette blossoms and serrated leaves rendered in ivory, sage green, and rust-red, arranged in a mirrored, symmetrical lattice with a central rosette medallion echoed at top and bottom. The border is left unemphasized, blending into the field pattern rather than forming a distinct band, so the composition reads as a continuous allover design rather than a framed field. The palette throughout stays within muted blues, creams, olive, and terracotta, with no inscriptions or signatures visible.
An ivory field carries a symmetrical arrangement of large palmettes and split-leaf arabesques, rendered in soft rose, olive, sage, and pale blue, connected by curling vinework. The main border is a sage-green ground with a serrated, saw-tooth vine bearing small rosettes, flanked by narrower guard stripes in cream, rust, and tan with rosette-and-vine detailing. The corners of the outer border repeat a small floral motif that also appears echoed within the field's central medallion cluster.
The field spreads a light steel-blue ground with a symmetrical lattice of large palmettes, serrated leaves, and rosettes rendered in ivory, gold, rust, and deep burgundy. Two dominant blossom medallions anchor the vertical axis, flanked by smaller floral clusters and sprays that repeat toward the corners in mirrored fashion. A plain blue border of the same tone frames the composition, edged with a thin outline and finished with a flat-woven fringe at each end.
An olive-gold field carries a dense allover pattern of palmettes, rosettes and curling serrated leaves rendered in ivory, soft rust, and pale blue, arranged with a mirrored symmetry along the vertical axis. A slim ivory guard band separates the field from the wide blue-ground border, where the same floral vocabulary of palmettes and scrolling vine repeats at a larger scale, framed by a narrow gold minor stripe near the outer edge.
The field is a soft taupe-brown ground carrying a dense, symmetrical arrangement of palmettes, serrated leaves, and rosettes rendered in ivory, beige, and pale gray, all linked by curling vinework radiating from a central vertical axis. A wide ivory border repeats a similar floral and leaf vine, framed by a narrow guard stripe of small stylized blossoms, with the whole composition kept in a muted, tonal palette rather than strong contrast.
A pale celadon field carries a repeating lattice of scrolling acanthus leaves and shield-shaped medallions rendered in muted gold, taupe, and dusty rose, each medallion centered with a small floral rosette. A narrow plain band separates the field from the wide border, where the same scrolling leaf and shield motifs recur at a larger scale against a soft yellow ground. The palette throughout stays within a tight range of straw, sage, and blush tones, giving the design a uniform, faded appearance.
