An open field in a warm brick red, abrashed with lighter rust and amber tones across the surface, is left entirely plain. It is framed by a narrow ivory guard stripe and a wider border of continuous zigzag chevrons in ivory against the same red ground, repeated evenly along all four sides.
Iraka Fiber
A circular format built entirely from a spiraling pinwheel of interlocking petal shapes, radiating outward from a small tufted center. Alternating bands of pale straw and deeper tan create the illusion of four overlapping ellipses, their curved edges traced with a fine dotted line in a darker brown tone. The surface shows the natural variation of individual strands, giving each segment a subtly striated texture within its broader color field.
100% Baby Alpaca
An open field in a soft, uniform sandy beige, left entirely plain without border or ornament, its surface animated only by the natural variation of the woven texture. A detail inset shows the close, ridged surface structure, with subtle striations of lighter and darker tone running horizontally across the expanse.
An all-over lattice of interlocking rectilinear forms, resembling stacked ladder-like columns, is rendered in soft grey outline against an ivory ground. The pattern repeats in tight vertical registers across the field, with the same grey linework echoed in a narrow, unadorned border. The overall effect is a continuous geometric grid with no central medallion or corner ornament, the design running to the edges uniformly.
A narrow runner composed of two flatwoven panels joined along a visible seam, each rendered in horizontal striations of dark brown, taupe and warm chestnut tones. The field is otherwise unadorned, relying entirely on the tonal banding for its effect, while a detail inset shows the seam reinforced with a herringbone stitch of undyed ivory yarn.
The ivory ground is covered by a dense all-over lattice of small stepped diamond and triangular motifs, each formed of a peaked crown resting above a pointed base, repeated in regular diagonal rows. The motifs alternate through brown, dusty rose, pale yellow, and slate blue, with small white or ivory accents marking eye-like dots at their centers. A narrow border of the same stepped diamond pattern in matching colors frames the field on all sides, echoing the interior design at a smaller scale.
An ivory ground is overlaid with a repeating grid of interlocking fret and spiral motifs rendered in tonal beige and tan outlines, each unit rotating slightly to create a subtle sense of rotation across the field. The border is left undefined, allowing the geometric pattern to run edge to edge without a clear framing device.
Swedish Pile Technique
The field is organized into a strict grid of squares, each framed by a plain border line and filled with an angular fretwork motif built from interlocking key-shapes and small stepped crosses. The palette is restrained throughout, a soft sage green set against an undyed ivory ground, with the pattern reversing in tone from square to square. Loose warp fringes finish both ends, left natural and untrimmed.
The field is worked in pale straw and ivory tones, filled with an all-over lattice of scrolling vinework and heart-shaped palmettes, each centered with a small crescent-and-bud motif in muted burgundy, taupe and grey. A narrow ivory band frames the field before giving way to a wider tan border patterned with a repeating cusped, leaf-like medallion outlined in cream.
